FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood
The American TV series True Blood uses vampires allegorically to represent disenfranchised minorities. This paper aims at accounting for discursive patterns of discrimination in it through a critical discourse-semantic analysis of its illocutionary subjects’ speech acts. To achieve this, we integrat...
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Online Access: | http://dx.doi.org/10.1080/23311983.2018.1423864 |
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doaj-e3e1baa627bf44d68a63c1abc9ecdb8c2020-11-25T04:06:42ZengTaylor & Francis GroupCogent Arts & Humanities2331-19832018-01-015110.1080/23311983.2018.14238641423864FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True BloodErnesto Wong García0William Gómez Fernández1University of HavanaUniversity of HavanaThe American TV series True Blood uses vampires allegorically to represent disenfranchised minorities. This paper aims at accounting for discursive patterns of discrimination in it through a critical discourse-semantic analysis of its illocutionary subjects’ speech acts. To achieve this, we integrate a theory of semantic modality and a dimensional theory of meaning to the general framework of Critical Discourse Analysis. The method of dimensional analysis of meaning, aided by an analysis of context and of discourse strategies, allows us to identify 13 discursive patterns of discrimination, which are general enough to carry over to the analysis of both fictional and factual discourse.http://dx.doi.org/10.1080/23311983.2018.1423864discrimination true blood semantic modalitysemantic discourse analysiscritical discourse analysis |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ernesto Wong García William Gómez Fernández |
spellingShingle |
Ernesto Wong García William Gómez Fernández FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood Cogent Arts & Humanities discrimination true blood semantic modality semantic discourse analysis critical discourse analysis |
author_facet |
Ernesto Wong García William Gómez Fernández |
author_sort |
Ernesto Wong García |
title |
FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood |
title_short |
FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood |
title_full |
FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood |
title_fullStr |
FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood |
title_full_unstemmed |
FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood |
title_sort |
fangs and power: an analysis of discursive patterns of discrimination in the american tv series true blood |
publisher |
Taylor & Francis Group |
series |
Cogent Arts & Humanities |
issn |
2331-1983 |
publishDate |
2018-01-01 |
description |
The American TV series True Blood uses vampires allegorically to represent disenfranchised minorities. This paper aims at accounting for discursive patterns of discrimination in it through a critical discourse-semantic analysis of its illocutionary subjects’ speech acts. To achieve this, we integrate a theory of semantic modality and a dimensional theory of meaning to the general framework of Critical Discourse Analysis. The method of dimensional analysis of meaning, aided by an analysis of context and of discourse strategies, allows us to identify 13 discursive patterns of discrimination, which are general enough to carry over to the analysis of both fictional and factual discourse. |
topic |
discrimination true blood semantic modality semantic discourse analysis critical discourse analysis |
url |
http://dx.doi.org/10.1080/23311983.2018.1423864 |
work_keys_str_mv |
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