FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood

The American TV series True Blood uses vampires allegorically to represent disenfranchised minorities. This paper aims at accounting for discursive patterns of discrimination in it through a critical discourse-semantic analysis of its illocutionary subjects’ speech acts. To achieve this, we integrat...

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Main Authors: Ernesto Wong García, William Gómez Fernández
Format: Article
Language:English
Published: Taylor & Francis Group 2018-01-01
Series:Cogent Arts & Humanities
Subjects:
Online Access:http://dx.doi.org/10.1080/23311983.2018.1423864
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spelling doaj-e3e1baa627bf44d68a63c1abc9ecdb8c2020-11-25T04:06:42ZengTaylor & Francis GroupCogent Arts & Humanities2331-19832018-01-015110.1080/23311983.2018.14238641423864FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True BloodErnesto Wong García0William Gómez Fernández1University of HavanaUniversity of HavanaThe American TV series True Blood uses vampires allegorically to represent disenfranchised minorities. This paper aims at accounting for discursive patterns of discrimination in it through a critical discourse-semantic analysis of its illocutionary subjects’ speech acts. To achieve this, we integrate a theory of semantic modality and a dimensional theory of meaning to the general framework of Critical Discourse Analysis. The method of dimensional analysis of meaning, aided by an analysis of context and of discourse strategies, allows us to identify 13 discursive patterns of discrimination, which are general enough to carry over to the analysis of both fictional and factual discourse.http://dx.doi.org/10.1080/23311983.2018.1423864discrimination true blood semantic modalitysemantic discourse analysiscritical discourse analysis
collection DOAJ
language English
format Article
sources DOAJ
author Ernesto Wong García
William Gómez Fernández
spellingShingle Ernesto Wong García
William Gómez Fernández
FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood
Cogent Arts & Humanities
discrimination
true blood
semantic modality
semantic discourse analysis
critical discourse analysis
author_facet Ernesto Wong García
William Gómez Fernández
author_sort Ernesto Wong García
title FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood
title_short FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood
title_full FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood
title_fullStr FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood
title_full_unstemmed FANGS AND POWER: An analysis of discursive patterns of discrimination in the American TV series True Blood
title_sort fangs and power: an analysis of discursive patterns of discrimination in the american tv series true blood
publisher Taylor & Francis Group
series Cogent Arts & Humanities
issn 2331-1983
publishDate 2018-01-01
description The American TV series True Blood uses vampires allegorically to represent disenfranchised minorities. This paper aims at accounting for discursive patterns of discrimination in it through a critical discourse-semantic analysis of its illocutionary subjects’ speech acts. To achieve this, we integrate a theory of semantic modality and a dimensional theory of meaning to the general framework of Critical Discourse Analysis. The method of dimensional analysis of meaning, aided by an analysis of context and of discourse strategies, allows us to identify 13 discursive patterns of discrimination, which are general enough to carry over to the analysis of both fictional and factual discourse.
topic discrimination
true blood
semantic modality
semantic discourse analysis
critical discourse analysis
url http://dx.doi.org/10.1080/23311983.2018.1423864
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