"THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO

"THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO

<p>The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but n...

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Main Author: Marleide Anchieta de Lima
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2012-11-01
Series:Abril
Subjects:
poesia contemporânea portuguesa
relação interartes
Manuel Gusmão
Online Access:http://www.revistaabril.uff.br/index.php/revistaabril/article/view/146
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spelling doaj-e3262f2490a249c9ab546c5d1502b6b52020-11-24T23:49:56ZporUniversidade Federal FluminenseAbril1984-20902012-11-015989"THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAOMarleide Anchieta de Lima0Universidade Federal Fluminense<p>The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton &amp; Vox.</p>http://www.revistaabril.uff.br/index.php/revistaabril/article/view/146poesia contemporânea portuguesarelação interartesManuel Gusmão
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Marleide Anchieta de Lima
spellingShingle Marleide Anchieta de Lima
"THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO
Abril
poesia contemporânea portuguesa
relação interartes
Manuel Gusmão
author_facet Marleide Anchieta de Lima
author_sort Marleide Anchieta de Lima
title "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO
title_short "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO
title_full "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO
title_fullStr "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO
title_full_unstemmed "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO
title_sort "the keyboard lits the écran": the cinematographic poetry of manuel gusmao
publisher Universidade Federal Fluminense
series Abril
issn 1984-2090
publishDate 2012-11-01
description <p>The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton &amp; Vox.</p>
topic poesia contemporânea portuguesa
relação interartes
Manuel Gusmão
url http://www.revistaabril.uff.br/index.php/revistaabril/article/view/146
work_keys_str_mv AT marleideanchietadelima thekeyboardlitstheecranthecinematographicpoetryofmanuelgusmao
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