Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!
Perchance the world’s greatest advertisement of fairy-tales, Once Upon a Time, the fantasy drama television series featured on Netflix, goes past its entertaining marketing strategies and brings to the fore one of the longest enduring and most polemical poststructuralist theories, i.e. the death of...
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Casa Cărții de Știință
2020-12-01
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Online Access: | https://cultural-intertexts.webnode.com/_files/200000393-196b2196b5/122-133.%20Necula.%20Gheorghiu.%20Once%20Upon%20a%20Time.%20The%20Author%20is%20Dead.pdf |
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doaj-e31a646fed4545c9b653374ad53749b12020-12-16T09:48:03ZengCasa Cărții de ȘtiințăCultural Intertexts2393-06242393-10782020-12-0110The Roaring (20)20s122133http://doi.org/10.5281/zenodo.4322268Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!Lidia-Mihaela Necula0Oana-Celia Gheorghiu1https://orcid.org/0000-0001-9760-3809Dunarea de Jos University of Galati, RomaniaDunarea de Jos University of Galati, RomaniaPerchance the world’s greatest advertisement of fairy-tales, Once Upon a Time, the fantasy drama television series featured on Netflix, goes past its entertaining marketing strategies and brings to the fore one of the longest enduring and most polemical poststructuralist theories, i.e. the death of the author and the literary emancipation of characters. The aim of the current paper is to prove, above anything else, that the primary object of Once Upon a Time, the TV series can be construed as one of telling the story of the characters’ literary emancipation and the inherent death of the author.https://cultural-intertexts.webnode.com/_files/200000393-196b2196b5/122-133.%20Necula.%20Gheorghiu.%20Once%20Upon%20a%20Time.%20The%20Author%20is%20Dead.pdfdeath of the authorliterary emancipationscriptorpostmodernismfairy-taletv series |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Lidia-Mihaela Necula Oana-Celia Gheorghiu |
spellingShingle |
Lidia-Mihaela Necula Oana-Celia Gheorghiu Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill! Cultural Intertexts death of the author literary emancipation scriptor postmodernism fairy-tale tv series |
author_facet |
Lidia-Mihaela Necula Oana-Celia Gheorghiu |
author_sort |
Lidia-Mihaela Necula |
title |
Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill! |
title_short |
Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill! |
title_full |
Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill! |
title_fullStr |
Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill! |
title_full_unstemmed |
Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill! |
title_sort |
once upon a time: the author is dead! long live the all mighty quill! |
publisher |
Casa Cărții de Știință |
series |
Cultural Intertexts |
issn |
2393-0624 2393-1078 |
publishDate |
2020-12-01 |
description |
Perchance the world’s greatest advertisement of fairy-tales, Once Upon a Time, the fantasy drama television series featured on Netflix, goes past its entertaining marketing strategies and brings to the fore one of the longest enduring and most polemical poststructuralist theories, i.e. the death of the author and the literary emancipation of characters. The aim of the current paper is to prove, above anything else, that the primary object of Once Upon a Time, the TV series can be construed as one of telling the story of the characters’ literary emancipation and the inherent death of the author. |
topic |
death of the author literary emancipation scriptor postmodernism fairy-tale tv series |
url |
https://cultural-intertexts.webnode.com/_files/200000393-196b2196b5/122-133.%20Necula.%20Gheorghiu.%20Once%20Upon%20a%20Time.%20The%20Author%20is%20Dead.pdf |
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AT lidiamihaelanecula onceuponatimetheauthorisdeadlonglivetheallmightyquill AT oanaceliagheorghiu onceuponatimetheauthorisdeadlonglivetheallmightyquill |
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1724381205191720960 |