Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!

Perchance the world’s greatest advertisement of fairy-tales, Once Upon a Time, the fantasy drama television series featured on Netflix, goes past its entertaining marketing strategies and brings to the fore one of the longest enduring and most polemical poststructuralist theories, i.e. the death of...

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Main Authors: Lidia-Mihaela Necula, Oana-Celia Gheorghiu
Format: Article
Language:English
Published: Casa Cărții de Știință 2020-12-01
Series:Cultural Intertexts
Subjects:
Online Access:https://cultural-intertexts.webnode.com/_files/200000393-196b2196b5/122-133.%20Necula.%20Gheorghiu.%20Once%20Upon%20a%20Time.%20The%20Author%20is%20Dead.pdf
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spelling doaj-e31a646fed4545c9b653374ad53749b12020-12-16T09:48:03ZengCasa Cărții de ȘtiințăCultural Intertexts2393-06242393-10782020-12-0110The Roaring (20)20s122133http://doi.org/10.5281/zenodo.4322268Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!Lidia-Mihaela Necula0Oana-Celia Gheorghiu1https://orcid.org/0000-0001-9760-3809Dunarea de Jos University of Galati, RomaniaDunarea de Jos University of Galati, RomaniaPerchance the world’s greatest advertisement of fairy-tales, Once Upon a Time, the fantasy drama television series featured on Netflix, goes past its entertaining marketing strategies and brings to the fore one of the longest enduring and most polemical poststructuralist theories, i.e. the death of the author and the literary emancipation of characters. The aim of the current paper is to prove, above anything else, that the primary object of Once Upon a Time, the TV series can be construed as one of telling the story of the characters’ literary emancipation and the inherent death of the author.https://cultural-intertexts.webnode.com/_files/200000393-196b2196b5/122-133.%20Necula.%20Gheorghiu.%20Once%20Upon%20a%20Time.%20The%20Author%20is%20Dead.pdfdeath of the authorliterary emancipationscriptorpostmodernismfairy-taletv series
collection DOAJ
language English
format Article
sources DOAJ
author Lidia-Mihaela Necula
Oana-Celia Gheorghiu
spellingShingle Lidia-Mihaela Necula
Oana-Celia Gheorghiu
Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!
Cultural Intertexts
death of the author
literary emancipation
scriptor
postmodernism
fairy-tale
tv series
author_facet Lidia-Mihaela Necula
Oana-Celia Gheorghiu
author_sort Lidia-Mihaela Necula
title Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!
title_short Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!
title_full Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!
title_fullStr Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!
title_full_unstemmed Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!
title_sort once upon a time: the author is dead! long live the all mighty quill!
publisher Casa Cărții de Știință
series Cultural Intertexts
issn 2393-0624
2393-1078
publishDate 2020-12-01
description Perchance the world’s greatest advertisement of fairy-tales, Once Upon a Time, the fantasy drama television series featured on Netflix, goes past its entertaining marketing strategies and brings to the fore one of the longest enduring and most polemical poststructuralist theories, i.e. the death of the author and the literary emancipation of characters. The aim of the current paper is to prove, above anything else, that the primary object of Once Upon a Time, the TV series can be construed as one of telling the story of the characters’ literary emancipation and the inherent death of the author.
topic death of the author
literary emancipation
scriptor
postmodernism
fairy-tale
tv series
url https://cultural-intertexts.webnode.com/_files/200000393-196b2196b5/122-133.%20Necula.%20Gheorghiu.%20Once%20Upon%20a%20Time.%20The%20Author%20is%20Dead.pdf
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