‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s

This article examines Austrian, British, French and German newsreels and European information films produced in the period from 1948 to 1958 either by private and semi-private newsreel companies or transnational, supranational and national institutions like the Economic Cooperation Administration, C...

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Main Authors: Anne Bruch, Eugen Pfister
Format: Article
Language:English
Published: UACES 2014-02-01
Series:Journal of Contemporary European Research
Subjects:
Online Access:https://jcer.net/index.php/jcer/article/view/558
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spelling doaj-e2e573feef95460286fa8f3a350ae9342020-11-25T04:02:46ZengUACESJournal of Contemporary European Research1815-347X2014-02-01101‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950sAnne Bruch0Eugen Pfister1University of HamburgUniversity of ViennaThis article examines Austrian, British, French and German newsreels and European information films produced in the period from 1948 to 1958 either by private and semi-private newsreel companies or transnational, supranational and national institutions like the Economic Cooperation Administration, Council of Europe, European Coal and Steel Community. These newsreel items and short films are not only records from the beginning and consolidation of the European integration project but also political instruments in this process. On the one hand, they informed the public about the new institutions, their purposes as well as their decision-making procedures; on the other hand, they were intended to create a European identity by rewriting a collective cultural and historical memory. By means of these films, some of them being part of the public relations campaigns of various European institutions and newsreel companies, a consistent picture of ‘Europe’ was shaped. This audiovisual representation of Europe as a geographical and historical entity, or, respectively, ‘the idea of European integration’, was not only a result of a political discourse but also a cultural continuation of a centuries-old iconographic tradition. This article aims at broadening the academic debate on a European identity by analysing the political communication process of the European Integration in the 1950s.https://jcer.net/index.php/jcer/article/view/558Public relations campaignsEuropean institutionsEuropean identityEuropean iconographyimages of Europepolitical communication
collection DOAJ
language English
format Article
sources DOAJ
author Anne Bruch
Eugen Pfister
spellingShingle Anne Bruch
Eugen Pfister
‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s
Journal of Contemporary European Research
Public relations campaigns
European institutions
European identity
European iconography
images of Europe
political communication
author_facet Anne Bruch
Eugen Pfister
author_sort Anne Bruch
title ‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s
title_short ‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s
title_full ‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s
title_fullStr ‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s
title_full_unstemmed ‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s
title_sort ‘what europeans saw of europe’: medial construction of european identity in information films and newsreels in the 1950s
publisher UACES
series Journal of Contemporary European Research
issn 1815-347X
publishDate 2014-02-01
description This article examines Austrian, British, French and German newsreels and European information films produced in the period from 1948 to 1958 either by private and semi-private newsreel companies or transnational, supranational and national institutions like the Economic Cooperation Administration, Council of Europe, European Coal and Steel Community. These newsreel items and short films are not only records from the beginning and consolidation of the European integration project but also political instruments in this process. On the one hand, they informed the public about the new institutions, their purposes as well as their decision-making procedures; on the other hand, they were intended to create a European identity by rewriting a collective cultural and historical memory. By means of these films, some of them being part of the public relations campaigns of various European institutions and newsreel companies, a consistent picture of ‘Europe’ was shaped. This audiovisual representation of Europe as a geographical and historical entity, or, respectively, ‘the idea of European integration’, was not only a result of a political discourse but also a cultural continuation of a centuries-old iconographic tradition. This article aims at broadening the academic debate on a European identity by analysing the political communication process of the European Integration in the 1950s.
topic Public relations campaigns
European institutions
European identity
European iconography
images of Europe
political communication
url https://jcer.net/index.php/jcer/article/view/558
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