Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study
We aim to present an analytical study of the materials used in two 17th-18th centuries sculptures - Santa Bárbara and Santa Rita de Cássia - and in the altarpiece where they once stood. All the pieces belong to the Church of Nossa Senhora das Mercês in Évora, although today the two sculptures are in...
Main Authors: | , , , , |
---|---|
Format: | Article |
Language: | English |
Published: |
Associação Profissional de Conservadores - Restauradores de Portugal
2015-01-01
|
Series: | Conservar Património |
Subjects: | |
Online Access: | https://doi.org/10.14568/cp2015011 |
id |
doaj-e2d090cf3a53411d944322ef99fcb7f0 |
---|---|
record_format |
Article |
spelling |
doaj-e2d090cf3a53411d944322ef99fcb7f02020-11-24T22:57:11ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422015-01-0122414910.14568/cp20150112015011Gilding materials and techniques - comparison between altarpieces and their sculptures: a case studyM. Oliveira0E. Murta1L. Dias2J. Mirão3A. Candeias4Laboratório José de Figueiredo, General Directorate of Cultural Heritage, Rua das Janelas Verdes, Lisbon, PortugalLaboratório José de Figueiredo, General Directorate of Cultural Heritage, Rua das Janelas Verdes, Lisbon, PortugalHercules Laboratory, University of Évora, Largo Marquês de Marialva 8, 7000 Évora, PortugalHercules Laboratory, University of Évora, Largo Marquês de Marialva 8, 7000 Évora, PortugalLaboratório José de Figueiredo, General Directorate of Cultural Heritage, Rua das Janelas Verdes, Lisbon, PortugalWe aim to present an analytical study of the materials used in two 17th-18th centuries sculptures - Santa Bárbara and Santa Rita de Cássia - and in the altarpiece where they once stood. All the pieces belong to the Church of Nossa Senhora das Mercês in Évora, although today the two sculptures are in the Museum of Évora. The main purpose is to compare the materials and the techniques used in the execution of the gilding and polychrome processes in the three objects. The study is focused on ground layers, gold leaf and polychrome layers. The stratigraphic analyses were performed using optical microscopy on cross-sections and the materials characterization of the different strata resorted to scanning electron microscopy coupled with energy dispersive X-ray spectrometry and to micro-Raman spectroscopy. The results show that the materials and techniques used in the three works of art are very similar and are consistent with the epoch's treatises suggestions.https://doi.org/10.14568/cp2015011BaroqueCarved and gilded woodPolychrome sculptureMaterials characterization |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
M. Oliveira E. Murta L. Dias J. Mirão A. Candeias |
spellingShingle |
M. Oliveira E. Murta L. Dias J. Mirão A. Candeias Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study Conservar Património Baroque Carved and gilded wood Polychrome sculpture Materials characterization |
author_facet |
M. Oliveira E. Murta L. Dias J. Mirão A. Candeias |
author_sort |
M. Oliveira |
title |
Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study |
title_short |
Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study |
title_full |
Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study |
title_fullStr |
Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study |
title_full_unstemmed |
Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study |
title_sort |
gilding materials and techniques - comparison between altarpieces and their sculptures: a case study |
publisher |
Associação Profissional de Conservadores - Restauradores de Portugal |
series |
Conservar Património |
issn |
1646-043X 2182-9942 |
publishDate |
2015-01-01 |
description |
We aim to present an analytical study of the materials used in two 17th-18th centuries sculptures - Santa Bárbara and Santa Rita de Cássia - and in the altarpiece where they once stood. All the pieces belong to the Church of Nossa Senhora das Mercês in Évora, although today the two sculptures are in the Museum of Évora. The main purpose is to compare the materials and the techniques used in the execution of the gilding and polychrome processes in the three objects. The study is focused on ground layers, gold leaf and polychrome layers. The stratigraphic analyses were performed using optical microscopy on cross-sections and the materials characterization of the different strata resorted to scanning electron microscopy coupled with energy dispersive X-ray spectrometry and to micro-Raman spectroscopy. The results show that the materials and techniques used in the three works of art are very similar and are consistent with the epoch's treatises suggestions. |
topic |
Baroque Carved and gilded wood Polychrome sculpture Materials characterization |
url |
https://doi.org/10.14568/cp2015011 |
work_keys_str_mv |
AT moliveira gildingmaterialsandtechniquescomparisonbetweenaltarpiecesandtheirsculpturesacasestudy AT emurta gildingmaterialsandtechniquescomparisonbetweenaltarpiecesandtheirsculpturesacasestudy AT ldias gildingmaterialsandtechniquescomparisonbetweenaltarpiecesandtheirsculpturesacasestudy AT jmirao gildingmaterialsandtechniquescomparisonbetweenaltarpiecesandtheirsculpturesacasestudy AT acandeias gildingmaterialsandtechniquescomparisonbetweenaltarpiecesandtheirsculpturesacasestudy |
_version_ |
1725651399795015680 |