Carnivalesque of images of children and adults in screenwriting of Ilya Nusinov and Semion Lungin (based on the screenplays “Bez strakha i upreka”, “Vnimaniye, cherepakha!” and “Telegramma”)
The article finds the connection between the screenplays of Ilya Nusinov and Semion Lungin and the term “carnival”, introduced by M.M. Bakhtin. Finding the carnival features in the plots and images of the screenplays “Bez strakha i upreka”, “Vnimaniye, cherepakha!” and “Telegramma” author concludes...
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| Format: | Article |
| Language: | English |
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Peoples’ Friendship University of Russia (RUDN University)
2013-12-01
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| Series: | RUDN Journal of Studies in Literature and Journalism |
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| Online Access: | http://journals.rudn.ru/literary-criticism/article/view/4346 |
| Summary: | The article finds the connection between the screenplays of Ilya Nusinov and Semion Lungin and the term “carnival”, introduced by M.M. Bakhtin. Finding the carnival features in the plots and images of the screenplays “Bez strakha i upreka”, “Vnimaniye, cherepakha!” and “Telegramma” author concludes that the screenwriters have their own individual conception of the child image and themes of childhood. |
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| ISSN: | 2312-9220 2312-9247 |