Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i>
This essay reflects on the aesthetic and rhetorical strategies used by Nietzsche and Baudelaire in two poems, which at first glance scarcely show any resemblance. The poems are Baudelaire’s Les Phares and Nietzsche’s Feuerzeichen from the late Dithyramben. In both cases the central image of the Ligh...
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2017-11-01
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doaj-e234c88d72a4407e954f5ccef687760b2020-11-25T03:51:09ZdeuUniversità degli Studi di MilanoStudia theodisca1593-24782385-29172017-11-0124012314810.13130/1593-2478/92087884Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i>Barbara Di Noi0Università degli Studi di Firenze, ItalyThis essay reflects on the aesthetic and rhetorical strategies used by Nietzsche and Baudelaire in two poems, which at first glance scarcely show any resemblance. The poems are Baudelaire’s Les Phares and Nietzsche’s Feuerzeichen from the late Dithyramben. In both cases the central image of the Lighthouse and the Symbol of Light refer to the difficult relationship of the “Great Man” to the crowd; but they are also linked to the idea that “Great Men” follow their destiny of loneliness and are like stars, whose light will not be seen by others until after their death.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/9208 |
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DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Barbara Di Noi |
spellingShingle |
Barbara Di Noi Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i> Studia theodisca |
author_facet |
Barbara Di Noi |
author_sort |
Barbara Di Noi |
title |
Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i> |
title_short |
Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i> |
title_full |
Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i> |
title_fullStr |
Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i> |
title_full_unstemmed |
Baudelaires «Les Phares» und Nietzsches Gedicht «Das Feuerzeichen» aus dem Zyklus «Dithyramben des Dionysos»<br><i>[Baudelaire’s «The Beacons» and Nietzsche’s Poem «The Fire Signal» from the Cycle «Dithyrambs of Dionysus»]<i> |
title_sort |
baudelaires «les phares» und nietzsches gedicht «das feuerzeichen» aus dem zyklus «dithyramben des dionysos»<br><i>[baudelaire’s «the beacons» and nietzsche’s poem «the fire signal» from the cycle «dithyrambs of dionysus»]<i> |
publisher |
Università degli Studi di Milano |
series |
Studia theodisca |
issn |
1593-2478 2385-2917 |
publishDate |
2017-11-01 |
description |
This essay reflects on the aesthetic and rhetorical strategies used by Nietzsche and Baudelaire in two poems, which at first glance scarcely show any resemblance. The poems are Baudelaire’s Les Phares and Nietzsche’s Feuerzeichen from the late Dithyramben. In both cases the central image of the Lighthouse and the Symbol of Light refer to the difficult relationship of the “Great Man” to the crowd; but they are also linked to the idea that “Great Men” follow their destiny of loneliness and are like stars, whose light will not be seen by others until after their death. |
url |
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/9208 |
work_keys_str_mv |
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1724488438471720960 |