| Summary: | "Film narrative in the context of two worldwide wars (Political science and daily life's film)" lt is the configuration of political science in relation to the movies, these become two forms of interaction which allow one to hermeneutical analysis as a model of interpretations of history and politics, between other analytical axes of this essay. In con sequence with this, the structuring of a political science and their relationship with film aesthetics, leads to build an analysis model that allows us understand our present. This chapter intends to understand how the aesthetics of film narrative and political science have delineated not only the meaning of the everyday, but it is the grammatical representation of the causes and consequences of historical and geopolítica! events, such as: the origin of the Weimar Republic, the Treaty of Versailles and the causes of the rise of Nazism.
|
|---|
