A New Alphabet for the Cinema : the Tragic Irony of Napoléon (Abel Gance, 1927)
In the present-day period, on the eve of destruction of analogue cinema, there seems to be a remarkable interest in the last gasps of silent film. Encouraged by this fascination, this article delves into an analysis of the highly formally innovative Napoléon, vu par Abel Gance (Abel Gance, 1927). Th...
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| Format: | Article |
| Language: | English |
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Radboud University Press in cooperation with Open Journals
2012-10-01
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| Series: | Relief: Revue Électronique de Littérature Francaise |
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| Online Access: | https://revue-relief.org/article/view/9026 |