Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the im...
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doaj-e1563404d52a43d0883d7cab4a6ba3f12021-03-28T08:53:56ZengUniversità degli Studi di MilanoAltre Modernità2035-76802021-03-0110.13130/2035-7680/15369Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)Miriam Chiani0Universidad Nacional de La Plata In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the imaginaries of sexist sexual violence displayed by them enter into connection with the universe of seventies events and stories; on the other, to identify the different images of resistance that they form — linked to a detachment of the woman from the place of the victim — in relation to the development of political, social and legal discourses around gender issues in Argentina. https://riviste.unimi.it/index.php/AMonline/article/view/15369Women's writing; Violence; Memory |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Miriam Chiani |
spellingShingle |
Miriam Chiani Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró) Altre Modernità Women's writing; Violence; Memory |
author_facet |
Miriam Chiani |
author_sort |
Miriam Chiani |
title |
Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró) |
title_short |
Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró) |
title_full |
Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró) |
title_fullStr |
Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró) |
title_full_unstemmed |
Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró) |
title_sort |
imaginarios testimoniales en escritoras argentinas contemporáneas (gabriela cabezón cámara, selva almada, belén lópez peiró) |
publisher |
Università degli Studi di Milano |
series |
Altre Modernità |
issn |
2035-7680 |
publishDate |
2021-03-01 |
description |
In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the imaginaries of sexist sexual violence displayed by them enter into connection with the universe of seventies events and stories; on the other, to identify the different images of resistance that they form — linked to a detachment of the woman from the place of the victim — in relation to the development of political, social and legal discourses around gender issues in Argentina.
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topic |
Women's writing; Violence; Memory |
url |
https://riviste.unimi.it/index.php/AMonline/article/view/15369 |
work_keys_str_mv |
AT miriamchiani imaginariostestimonialesenescritorasargentinascontemporaneasgabrielacabezoncamaraselvaalmadabelenlopezpeiro |
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1724200540155412480 |