Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)

In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the im...

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Main Author: Miriam Chiani
Format: Article
Language:English
Published: Università degli Studi di Milano 2021-03-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/15369
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spelling doaj-e1563404d52a43d0883d7cab4a6ba3f12021-03-28T08:53:56ZengUniversità degli Studi di MilanoAltre Modernità2035-76802021-03-0110.13130/2035-7680/15369Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)Miriam Chiani0Universidad Nacional de La Plata In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the imaginaries of sexist sexual violence displayed by them enter into connection with the universe of seventies events and stories; on the other, to identify the different images of resistance that they form — linked to a detachment of the woman from the place of the victim — in relation to the development of political, social and legal discourses around gender issues in Argentina. https://riviste.unimi.it/index.php/AMonline/article/view/15369Women's writing; Violence; Memory
collection DOAJ
language English
format Article
sources DOAJ
author Miriam Chiani
spellingShingle Miriam Chiani
Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
Altre Modernità
Women's writing; Violence; Memory
author_facet Miriam Chiani
author_sort Miriam Chiani
title Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
title_short Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
title_full Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
title_fullStr Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
title_full_unstemmed Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
title_sort imaginarios testimoniales en escritoras argentinas contemporáneas (gabriela cabezón cámara, selva almada, belén lópez peiró)
publisher Università degli Studi di Milano
series Altre Modernità
issn 2035-7680
publishDate 2021-03-01
description In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the imaginaries of sexist sexual violence displayed by them enter into connection with the universe of seventies events and stories; on the other, to identify the different images of resistance that they form — linked to a detachment of the woman from the place of the victim — in relation to the development of political, social and legal discourses around gender issues in Argentina.
topic Women's writing; Violence; Memory
url https://riviste.unimi.it/index.php/AMonline/article/view/15369
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