Imaginarios testimoniales en escritoras argentinas contemporáneas (Gabriela Cabezón Cámara, Selva Almada, Belén López Peiró)
In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the im...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2021-03-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/15369 |
| Summary: | In addition to exploring the ways Le viste la cara a Dios by Gabriela Cabezón Cámara, Chicas muertas of Selva Almada and ¿Porqué volvías cada de verano? of Belén López Peiró they renew the features of the testimony and / or related genres, I am interested here, on the one hand, to review how the imaginaries of sexist sexual violence displayed by them enter into connection with the universe of seventies events and stories; on the other, to identify the different images of resistance that they form — linked to a detachment of the woman from the place of the victim — in relation to the development of political, social and legal discourses around gender issues in Argentina.
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| ISSN: | 2035-7680 |