Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short Stories

This paper examines and evaluates representations of problematic sisterly relationships in twentieth-century Irish women’s stories which display an emphasis on ambivalence and sibling rivalry.  The paper is based primarily on the literary output of Mary Lavin, Clare Boylan, Moy McCrory, Éilís Ní Dhu...

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Main Author: Ann Wan-lih Chang
Format: Article
Language:English
Published: Asociación Española de Estudios Irlandeses 2013-03-01
Series:Estudios Irlandeses
Subjects:
Online Access:http://www.estudiosirlandeses.org/wp-content/uploads/2013/04/Ann_Wan-lih-Chang_8.pdf
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spelling doaj-e136ba4481674b5587ab119755fd03602020-11-24T23:45:07ZengAsociación Española de Estudios IrlandesesEstudios Irlandeses1699-311X1699-311X2013-03-0188111186Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short StoriesAnn Wan-lih Chang0 Shih-chien University, Kaohsiung Campus, Taiwan This paper examines and evaluates representations of problematic sisterly relationships in twentieth-century Irish women’s stories which display an emphasis on ambivalence and sibling rivalry.  The paper is based primarily on the literary output of Mary Lavin, Clare Boylan, Moy McCrory, Éilís Ní Dhuibhne, Jan Kennedy, Mary Morrissy and Claire Keegan.  The paper seeks, by reference both to feminist studies and Irish women’s short stories, to demonstrate the consequences and causes of a divided sisterhood which itself may be traced back to a suppression of expression of female solidarity embedded in western culture and manifested in western literary heritage.  Typically, such stories depict a conflict sourced in the need to develop self-identity and framed within the constraints imposed by separate social roles.  This kind of conflict results potentially in rivalry, antagonism, ambivalence, and the domination of one sibling by another.  Daughters/sisters are often depicted in these stories both as competing with each other for limited resources and also as seeking a sense of personal identity through mutual polarisation.  There are also stories into which are woven undertones of domination disguised as sisterly closeness, for which the actual motivation seems to be a repressed aspiration for intimacy.http://www.estudiosirlandeses.org/wp-content/uploads/2013/04/Ann_Wan-lih-Chang_8.pdfSisterhoodAmbivalenceRivalryAntagonismPolarisation
collection DOAJ
language English
format Article
sources DOAJ
author Ann Wan-lih Chang
spellingShingle Ann Wan-lih Chang
Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short Stories
Estudios Irlandeses
Sisterhood
Ambivalence
Rivalry
Antagonism
Polarisation
author_facet Ann Wan-lih Chang
author_sort Ann Wan-lih Chang
title Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short Stories
title_short Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short Stories
title_full Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short Stories
title_fullStr Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short Stories
title_full_unstemmed Psyche’s Sisters: Ambivalence of Sisterhood in Twentieth-century Irish Women’s Short Stories
title_sort psyche’s sisters: ambivalence of sisterhood in twentieth-century irish women’s short stories
publisher Asociación Española de Estudios Irlandeses
series Estudios Irlandeses
issn 1699-311X
1699-311X
publishDate 2013-03-01
description This paper examines and evaluates representations of problematic sisterly relationships in twentieth-century Irish women’s stories which display an emphasis on ambivalence and sibling rivalry.  The paper is based primarily on the literary output of Mary Lavin, Clare Boylan, Moy McCrory, Éilís Ní Dhuibhne, Jan Kennedy, Mary Morrissy and Claire Keegan.  The paper seeks, by reference both to feminist studies and Irish women’s short stories, to demonstrate the consequences and causes of a divided sisterhood which itself may be traced back to a suppression of expression of female solidarity embedded in western culture and manifested in western literary heritage.  Typically, such stories depict a conflict sourced in the need to develop self-identity and framed within the constraints imposed by separate social roles.  This kind of conflict results potentially in rivalry, antagonism, ambivalence, and the domination of one sibling by another.  Daughters/sisters are often depicted in these stories both as competing with each other for limited resources and also as seeking a sense of personal identity through mutual polarisation.  There are also stories into which are woven undertones of domination disguised as sisterly closeness, for which the actual motivation seems to be a repressed aspiration for intimacy.
topic Sisterhood
Ambivalence
Rivalry
Antagonism
Polarisation
url http://www.estudiosirlandeses.org/wp-content/uploads/2013/04/Ann_Wan-lih-Chang_8.pdf
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