A formação na sociedade do espetáculo: gênese e atualidade do conceito

The text revisits the proposals of Guy Debord and his companions of the Internationale Situationniste, seeking to highlight its revolutionary character, which makes critical use, in a radically creative manner, of the most important tools of the spectacle, the media, since it is they which pro...

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Main Author: Maria Luiza Belloni
Format: Article
Language:Portuguese
Published: Associacao Nacional de Pós-Graduação e Pesquisa em Educação 2003-01-01
Series:Revista Brasileira de Educação
Online Access:http://www.redalyc.org/articulo.oa?id=27502211
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spelling doaj-e118ce2eaba342c888a95fc56b92e15c2020-11-25T01:16:30ZporAssociacao Nacional de Pós-Graduação e Pesquisa em EducaçãoRevista Brasileira de Educação1413-24781809-449X2003-01-0122121136A formação na sociedade do espetáculo: gênese e atualidade do conceitoMaria Luiza BelloniThe text revisits the proposals of Guy Debord and his companions of the Internationale Situationniste, seeking to highlight its revolutionary character, which makes critical use, in a radically creative manner, of the most important tools of the spectacle, the media, since it is they which produce its image. The article seeks to contextualise the appearance of the most notable theoretical contribution of Guy Debord, the concept of spectacle as a social relation and of the spectacle society, whose actuality is undeniable. Recuperated by the media so strongly criticised by Debord, the concept entered into common usage which proves the success of the idea: society was becoming so spectacular that the concept of spectacle imposed itself as a proof for the understanding of contemporary societies.http://www.redalyc.org/articulo.oa?id=27502211
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Maria Luiza Belloni
spellingShingle Maria Luiza Belloni
A formação na sociedade do espetáculo: gênese e atualidade do conceito
Revista Brasileira de Educação
author_facet Maria Luiza Belloni
author_sort Maria Luiza Belloni
title A formação na sociedade do espetáculo: gênese e atualidade do conceito
title_short A formação na sociedade do espetáculo: gênese e atualidade do conceito
title_full A formação na sociedade do espetáculo: gênese e atualidade do conceito
title_fullStr A formação na sociedade do espetáculo: gênese e atualidade do conceito
title_full_unstemmed A formação na sociedade do espetáculo: gênese e atualidade do conceito
title_sort formação na sociedade do espetáculo: gênese e atualidade do conceito
publisher Associacao Nacional de Pós-Graduação e Pesquisa em Educação
series Revista Brasileira de Educação
issn 1413-2478
1809-449X
publishDate 2003-01-01
description The text revisits the proposals of Guy Debord and his companions of the Internationale Situationniste, seeking to highlight its revolutionary character, which makes critical use, in a radically creative manner, of the most important tools of the spectacle, the media, since it is they which produce its image. The article seeks to contextualise the appearance of the most notable theoretical contribution of Guy Debord, the concept of spectacle as a social relation and of the spectacle society, whose actuality is undeniable. Recuperated by the media so strongly criticised by Debord, the concept entered into common usage which proves the success of the idea: society was becoming so spectacular that the concept of spectacle imposed itself as a proof for the understanding of contemporary societies.
url http://www.redalyc.org/articulo.oa?id=27502211
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