A formação na sociedade do espetáculo: gênese e atualidade do conceito
The text revisits the proposals of Guy Debord and his companions of the Internationale Situationniste, seeking to highlight its revolutionary character, which makes critical use, in a radically creative manner, of the most important tools of the spectacle, the media, since it is they which pro...
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Associacao Nacional de Pós-Graduação e Pesquisa em Educação
2003-01-01
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| Series: | Revista Brasileira de Educação |
| Online Access: | http://www.redalyc.org/articulo.oa?id=27502211 |
| Summary: | The text revisits the proposals of Guy
Debord and his companions of the
Internationale Situationniste, seeking to highlight its revolutionary character,
which makes critical use, in a radically
creative manner, of the most important
tools of the spectacle, the media, since
it is they which produce its image. The
article seeks to contextualise the
appearance of the most notable
theoretical contribution of Guy
Debord, the concept of spectacle as a
social relation and of the spectacle
society, whose actuality is undeniable.
Recuperated by the media so strongly
criticised by Debord, the concept
entered into common usage which proves
the success of the idea: society was
becoming so spectacular that the
concept of spectacle imposed itself as a
proof for the understanding of
contemporary societies. |
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| ISSN: | 1413-2478 1809-449X |