Background musicians and their (in)visibilities

This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited. Although these background musicians consistently app...

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Main Author: Suzana Reck Miranda
Format: Article
Language:English
Published: University College Cork 2020-07-01
Series:Alphaville: Journal of Film and Screen Media
Subjects:
Online Access:http://www.alphavillejournal.com/Issue19/HTML/ArticleMiranda.html
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spelling doaj-e04c266bd3144a6eb374f6e035f8d8472021-04-12T10:44:54ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782020-07-01193147https://doi.org/10.33178/alpha.19.04Background musicians and their (in)visibilitiesSuzana Reck Mirandahttps://orcid.org/0000-0003-4781-6165This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited. Although these background musicians consistently appear throughout the films in which they starred, they still constitute a largely unexplored object of research. I aim to revive this Brazilian tambourine player from a marginalised setting and invest in an understanding of his contribution to cinema through an intermedial perspective rather than privilege films as exclusive objects of reflection. My hypothesis for this intermedial approach will argue that the trajectory of Brazilian supporting musicians, if observed closely, reveals significant and previously unexplored aspects of the Brazilian cinematographic universe in the first decades of sound cinema. http://www.alphavillejournal.com/Issue19/HTML/ArticleMiranda.htmlchanchadabrazilian musichollywood musicalspopular theatre
collection DOAJ
language English
format Article
sources DOAJ
author Suzana Reck Miranda
spellingShingle Suzana Reck Miranda
Background musicians and their (in)visibilities
Alphaville: Journal of Film and Screen Media
chanchada
brazilian music
hollywood musicals
popular theatre
author_facet Suzana Reck Miranda
author_sort Suzana Reck Miranda
title Background musicians and their (in)visibilities
title_short Background musicians and their (in)visibilities
title_full Background musicians and their (in)visibilities
title_fullStr Background musicians and their (in)visibilities
title_full_unstemmed Background musicians and their (in)visibilities
title_sort background musicians and their (in)visibilities
publisher University College Cork
series Alphaville: Journal of Film and Screen Media
issn 2009-4078
publishDate 2020-07-01
description This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited. Although these background musicians consistently appear throughout the films in which they starred, they still constitute a largely unexplored object of research. I aim to revive this Brazilian tambourine player from a marginalised setting and invest in an understanding of his contribution to cinema through an intermedial perspective rather than privilege films as exclusive objects of reflection. My hypothesis for this intermedial approach will argue that the trajectory of Brazilian supporting musicians, if observed closely, reveals significant and previously unexplored aspects of the Brazilian cinematographic universe in the first decades of sound cinema.
topic chanchada
brazilian music
hollywood musicals
popular theatre
url http://www.alphavillejournal.com/Issue19/HTML/ArticleMiranda.html
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