Um Trágico Final Feliz

This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason...

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Main Author: Maria Joana Melo
Format: Article
Language:English
Published: Imprensa da Universidade de Coimbra 2014-03-01
Series:MatLit : Materialidades da Literatura
Subjects:
Online Access:http://iduc.uc.pt/index.php/matlit/article/view/1651
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spelling doaj-e0465da295d6430da6a2a07646e50e9e2021-03-02T07:14:00ZengImprensa da Universidade de CoimbraMatLit : Materialidades da Literatura2182-88302182-88302014-03-0112107124doi:10.14195/2182-8830_1-2_7Um Trágico Final FelizMaria Joana Melo0Instituto de Filosofia da Linguagem, Universidade Nova de LisboaThis paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama.http://iduc.uc.pt/index.php/matlit/article/view/1651AristotlePoeticsHappy EndTragedyMelodramaFilm
collection DOAJ
language English
format Article
sources DOAJ
author Maria Joana Melo
spellingShingle Maria Joana Melo
Um Trágico Final Feliz
MatLit : Materialidades da Literatura
Aristotle
Poetics
Happy End
Tragedy
Melodrama
Film
author_facet Maria Joana Melo
author_sort Maria Joana Melo
title Um Trágico Final Feliz
title_short Um Trágico Final Feliz
title_full Um Trágico Final Feliz
title_fullStr Um Trágico Final Feliz
title_full_unstemmed Um Trágico Final Feliz
title_sort um trágico final feliz
publisher Imprensa da Universidade de Coimbra
series MatLit : Materialidades da Literatura
issn 2182-8830
2182-8830
publishDate 2014-03-01
description This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama.
topic Aristotle
Poetics
Happy End
Tragedy
Melodrama
Film
url http://iduc.uc.pt/index.php/matlit/article/view/1651
work_keys_str_mv AT mariajoanamelo umtragicofinalfeliz
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