Um Trágico Final Feliz
This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason...
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2014-03-01
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Series: | MatLit : Materialidades da Literatura |
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Online Access: | http://iduc.uc.pt/index.php/matlit/article/view/1651 |
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doaj-e0465da295d6430da6a2a07646e50e9e2021-03-02T07:14:00ZengImprensa da Universidade de CoimbraMatLit : Materialidades da Literatura2182-88302182-88302014-03-0112107124doi:10.14195/2182-8830_1-2_7Um Trágico Final FelizMaria Joana Melo0Instituto de Filosofia da Linguagem, Universidade Nova de LisboaThis paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama.http://iduc.uc.pt/index.php/matlit/article/view/1651AristotlePoeticsHappy EndTragedyMelodramaFilm |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Maria Joana Melo |
spellingShingle |
Maria Joana Melo Um Trágico Final Feliz MatLit : Materialidades da Literatura Aristotle Poetics Happy End Tragedy Melodrama Film |
author_facet |
Maria Joana Melo |
author_sort |
Maria Joana Melo |
title |
Um Trágico Final Feliz |
title_short |
Um Trágico Final Feliz |
title_full |
Um Trágico Final Feliz |
title_fullStr |
Um Trágico Final Feliz |
title_full_unstemmed |
Um Trágico Final Feliz |
title_sort |
um trágico final feliz |
publisher |
Imprensa da Universidade de Coimbra |
series |
MatLit : Materialidades da Literatura |
issn |
2182-8830 2182-8830 |
publishDate |
2014-03-01 |
description |
This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama. |
topic |
Aristotle Poetics Happy End Tragedy Melodrama Film |
url |
http://iduc.uc.pt/index.php/matlit/article/view/1651 |
work_keys_str_mv |
AT mariajoanamelo umtragicofinalfeliz |
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