Strabismes : Woolf et le regard photograhique (contes de journées d’été)
This article introduces the reader to the laboratory of criticism writing, as the author gets himself and his tools ready for the task, describes the context and circumstances prevailing over his work, and bares himself to the minimum (and maximum) of critical practice by honing out his attentivenes...
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Presses Universitaires de la Méditerranée
2016-04-01
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Series: | Études Britanniques Contemporaines |
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Online Access: | http://journals.openedition.org/ebc/3062 |
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doaj-e03ee4a5c3734937b37531c610e5e0ad2020-11-24T23:08:29ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442016-04-015010.4000/ebc.3062Strabismes : Woolf et le regard photograhique (contes de journées d’été)Frédéric RegardThis article introduces the reader to the laboratory of criticism writing, as the author gets himself and his tools ready for the task, describes the context and circumstances prevailing over his work, and bares himself to the minimum (and maximum) of critical practice by honing out his attentiveness to the object under scrutiny. The following pages evoke a pastoral writing scene in which intuition, encounter and reprise allow for a dialogue with Woolf’s Three Guineas, addressing the logics of sensation and politics of the photograph in relation with other readers like Barthes, Sontag or Butler.http://journals.openedition.org/ebc/3062BarthesSontagWoolfThree Guineasconnectionphotography |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Frédéric Regard |
spellingShingle |
Frédéric Regard Strabismes : Woolf et le regard photograhique (contes de journées d’été) Études Britanniques Contemporaines Barthes Sontag Woolf Three Guineas connection photography |
author_facet |
Frédéric Regard |
author_sort |
Frédéric Regard |
title |
Strabismes : Woolf et le regard photograhique (contes de journées d’été) |
title_short |
Strabismes : Woolf et le regard photograhique (contes de journées d’été) |
title_full |
Strabismes : Woolf et le regard photograhique (contes de journées d’été) |
title_fullStr |
Strabismes : Woolf et le regard photograhique (contes de journées d’été) |
title_full_unstemmed |
Strabismes : Woolf et le regard photograhique (contes de journées d’été) |
title_sort |
strabismes : woolf et le regard photograhique (contes de journées d’été) |
publisher |
Presses Universitaires de la Méditerranée |
series |
Études Britanniques Contemporaines |
issn |
1168-4917 2271-5444 |
publishDate |
2016-04-01 |
description |
This article introduces the reader to the laboratory of criticism writing, as the author gets himself and his tools ready for the task, describes the context and circumstances prevailing over his work, and bares himself to the minimum (and maximum) of critical practice by honing out his attentiveness to the object under scrutiny. The following pages evoke a pastoral writing scene in which intuition, encounter and reprise allow for a dialogue with Woolf’s Three Guineas, addressing the logics of sensation and politics of the photograph in relation with other readers like Barthes, Sontag or Butler. |
topic |
Barthes Sontag Woolf Three Guineas connection photography |
url |
http://journals.openedition.org/ebc/3062 |
work_keys_str_mv |
AT fredericregard strabismeswoolfetleregardphotograhiquecontesdejourneesdete |
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1725614007100899328 |