Strabismes : Woolf et le regard photograhique (contes de journées d’été)

This article introduces the reader to the laboratory of criticism writing, as the author gets himself and his tools ready for the task, describes the context and circumstances prevailing over his work, and bares himself to the minimum (and maximum) of critical practice by honing out his attentivenes...

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Main Author: Frédéric Regard
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2016-04-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/3062
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spelling doaj-e03ee4a5c3734937b37531c610e5e0ad2020-11-24T23:08:29ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442016-04-015010.4000/ebc.3062Strabismes : Woolf et le regard photograhique (contes de journées d’été)Frédéric RegardThis article introduces the reader to the laboratory of criticism writing, as the author gets himself and his tools ready for the task, describes the context and circumstances prevailing over his work, and bares himself to the minimum (and maximum) of critical practice by honing out his attentiveness to the object under scrutiny. The following pages evoke a pastoral writing scene in which intuition, encounter and reprise allow for a dialogue with Woolf’s Three Guineas, addressing the logics of sensation and politics of the photograph in relation with other readers like Barthes, Sontag or Butler.http://journals.openedition.org/ebc/3062BarthesSontagWoolfThree Guineasconnectionphotography
collection DOAJ
language English
format Article
sources DOAJ
author Frédéric Regard
spellingShingle Frédéric Regard
Strabismes : Woolf et le regard photograhique (contes de journées d’été)
Études Britanniques Contemporaines
Barthes
Sontag
Woolf
Three Guineas
connection
photography
author_facet Frédéric Regard
author_sort Frédéric Regard
title Strabismes : Woolf et le regard photograhique (contes de journées d’été)
title_short Strabismes : Woolf et le regard photograhique (contes de journées d’été)
title_full Strabismes : Woolf et le regard photograhique (contes de journées d’été)
title_fullStr Strabismes : Woolf et le regard photograhique (contes de journées d’été)
title_full_unstemmed Strabismes : Woolf et le regard photograhique (contes de journées d’été)
title_sort strabismes : woolf et le regard photograhique (contes de journées d’été)
publisher Presses Universitaires de la Méditerranée
series Études Britanniques Contemporaines
issn 1168-4917
2271-5444
publishDate 2016-04-01
description This article introduces the reader to the laboratory of criticism writing, as the author gets himself and his tools ready for the task, describes the context and circumstances prevailing over his work, and bares himself to the minimum (and maximum) of critical practice by honing out his attentiveness to the object under scrutiny. The following pages evoke a pastoral writing scene in which intuition, encounter and reprise allow for a dialogue with Woolf’s Three Guineas, addressing the logics of sensation and politics of the photograph in relation with other readers like Barthes, Sontag or Butler.
topic Barthes
Sontag
Woolf
Three Guineas
connection
photography
url http://journals.openedition.org/ebc/3062
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