Narrative Quantum Cosmology in Michael Frayn’s Copenhagen

Twentieth-century drama has made the stage a site for reflecting on science. Michael Frayn’s Copenhagen, considered by many as one of the most striking contributions to “science plays,” portrays the elusive yet crucial short meeting of the two pillars of quantum physics, Niels Bohr and Werner Heisen...

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Main Authors: Amani Omid, Pirnajmuddin Hossein
Format: Article
Language:English
Published: Sciendo 2021-06-01
Series:American, British and Canadian Studies Journal
Subjects:
Online Access:https://doi.org/10.2478/abcsj-2021-0005
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spelling doaj-df7a8ad9efa34f869ee9091f86711e992021-09-06T19:40:56ZengSciendoAmerican, British and Canadian Studies Journal1841-964X2021-06-01361678610.2478/abcsj-2021-0005Narrative Quantum Cosmology in Michael Frayn’s CopenhagenAmani Omid0Pirnajmuddin Hossein1Malayer University, IranUniversity of Isfahan, IranTwentieth-century drama has made the stage a site for reflecting on science. Michael Frayn’s Copenhagen, considered by many as one of the most striking contributions to “science plays,” portrays the elusive yet crucial short meeting of the two pillars of quantum physics, Niels Bohr and Werner Heisenberg, in the autumn of 1941. The play employs ‘real’ scientists as characters that recurrently refer to and explain their scientific ideas such as uncertainty and complementarity, recognized as the Copenhagen Interpretation. Adopting the approach of possible worlds theory, this article analyses the concept of ‘possible worlds’ as projected in Copenhagen in light of the idea that physics itself has proposed a proliferation of parallel universes (multiverse). In fact, our main thesis is that the play offers an alternate history and brings about a myriad of counterfactuals that are tested as “drafts.”https://doi.org/10.2478/abcsj-2021-0005michael frayn’s copenhagenpossible worldsquantum cosmologyparallel universesalternate historycounterfactuals
collection DOAJ
language English
format Article
sources DOAJ
author Amani Omid
Pirnajmuddin Hossein
spellingShingle Amani Omid
Pirnajmuddin Hossein
Narrative Quantum Cosmology in Michael Frayn’s Copenhagen
American, British and Canadian Studies Journal
michael frayn’s copenhagen
possible worlds
quantum cosmology
parallel universes
alternate history
counterfactuals
author_facet Amani Omid
Pirnajmuddin Hossein
author_sort Amani Omid
title Narrative Quantum Cosmology in Michael Frayn’s Copenhagen
title_short Narrative Quantum Cosmology in Michael Frayn’s Copenhagen
title_full Narrative Quantum Cosmology in Michael Frayn’s Copenhagen
title_fullStr Narrative Quantum Cosmology in Michael Frayn’s Copenhagen
title_full_unstemmed Narrative Quantum Cosmology in Michael Frayn’s Copenhagen
title_sort narrative quantum cosmology in michael frayn’s copenhagen
publisher Sciendo
series American, British and Canadian Studies Journal
issn 1841-964X
publishDate 2021-06-01
description Twentieth-century drama has made the stage a site for reflecting on science. Michael Frayn’s Copenhagen, considered by many as one of the most striking contributions to “science plays,” portrays the elusive yet crucial short meeting of the two pillars of quantum physics, Niels Bohr and Werner Heisenberg, in the autumn of 1941. The play employs ‘real’ scientists as characters that recurrently refer to and explain their scientific ideas such as uncertainty and complementarity, recognized as the Copenhagen Interpretation. Adopting the approach of possible worlds theory, this article analyses the concept of ‘possible worlds’ as projected in Copenhagen in light of the idea that physics itself has proposed a proliferation of parallel universes (multiverse). In fact, our main thesis is that the play offers an alternate history and brings about a myriad of counterfactuals that are tested as “drafts.”
topic michael frayn’s copenhagen
possible worlds
quantum cosmology
parallel universes
alternate history
counterfactuals
url https://doi.org/10.2478/abcsj-2021-0005
work_keys_str_mv AT amaniomid narrativequantumcosmologyinmichaelfraynscopenhagen
AT pirnajmuddinhossein narrativequantumcosmologyinmichaelfraynscopenhagen
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