Digital Literature: analysis of cyberpoems

The present article discourses about digital or electronic literature, as it is called in the United States, understood as such the literature produced specifically for the Web and not to be printed in paper. It is a literature still in search of aesthetic and technical paths, but that has already d...

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Main Author: Celso Leopoldo Pagnan
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2017-12-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/18080
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spelling doaj-df2eb80354c24273b94289a9c2396fde2020-11-25T03:20:51ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352017-12-0111330832510900Digital Literature: analysis of cyberpoemsCelso Leopoldo Pagnan0UnoparThe present article discourses about digital or electronic literature, as it is called in the United States, understood as such the literature produced specifically for the Web and not to be printed in paper. It is a literature still in search of aesthetic and technical paths, but that has already directed to certain trends, with the mix of languages and resources (image, audio, verbal text). This article aims at reflecting on this production, in order to find elements for its analysis, based on a theoretical reference that discusses concepts such as multimodality and multiliteracy, such as Red (2013), Kress (1998), Van Leeuwen (2011), Hayles (2009), Almeida (2011), Gomes (2011) and Moreira (2013) among others. As a methodology, we will specifically analyze some digital literary pieces of work, such as Dois Palitos (Two matchsticks) and 18:30 by Samir Mesquita, as well as the reference to other digital texts, notably those made available in Artery 8 Digital Magazine, with several authors, including concretist poets such as Augusto dos Campos and Arnaldo Antunes. As characteristic of Web language, that kind of artistic production is characterized by conciseness and discursive fragmentation. Strictly speaking, we are faced with hybrid texts that collaborate to establish new perspectives on the literary universe and even on today's life.http://e-revista.unioeste.br/index.php/travessias/article/view/18080literatura digitalmultimodalidademultiletramentohibridismo
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Celso Leopoldo Pagnan
spellingShingle Celso Leopoldo Pagnan
Digital Literature: analysis of cyberpoems
Travessias
literatura digital
multimodalidade
multiletramento
hibridismo
author_facet Celso Leopoldo Pagnan
author_sort Celso Leopoldo Pagnan
title Digital Literature: analysis of cyberpoems
title_short Digital Literature: analysis of cyberpoems
title_full Digital Literature: analysis of cyberpoems
title_fullStr Digital Literature: analysis of cyberpoems
title_full_unstemmed Digital Literature: analysis of cyberpoems
title_sort digital literature: analysis of cyberpoems
publisher Universidade Estadual do Oeste do Paraná
series Travessias
issn 1982-5935
publishDate 2017-12-01
description The present article discourses about digital or electronic literature, as it is called in the United States, understood as such the literature produced specifically for the Web and not to be printed in paper. It is a literature still in search of aesthetic and technical paths, but that has already directed to certain trends, with the mix of languages and resources (image, audio, verbal text). This article aims at reflecting on this production, in order to find elements for its analysis, based on a theoretical reference that discusses concepts such as multimodality and multiliteracy, such as Red (2013), Kress (1998), Van Leeuwen (2011), Hayles (2009), Almeida (2011), Gomes (2011) and Moreira (2013) among others. As a methodology, we will specifically analyze some digital literary pieces of work, such as Dois Palitos (Two matchsticks) and 18:30 by Samir Mesquita, as well as the reference to other digital texts, notably those made available in Artery 8 Digital Magazine, with several authors, including concretist poets such as Augusto dos Campos and Arnaldo Antunes. As characteristic of Web language, that kind of artistic production is characterized by conciseness and discursive fragmentation. Strictly speaking, we are faced with hybrid texts that collaborate to establish new perspectives on the literary universe and even on today's life.
topic literatura digital
multimodalidade
multiletramento
hibridismo
url http://e-revista.unioeste.br/index.php/travessias/article/view/18080
work_keys_str_mv AT celsoleopoldopagnan digitalliteratureanalysisofcyberpoems
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