Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir Değerlendirme

In the historical adventure of mankind, every number has acquired a special character, a unique mystery and a metaphysical meaning. In this context, some numbers as personal and social symbols are particularly emphasized as subjects of religion, science and art. The number seven that attracted co...

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Main Author: Bahriye GÜRAY GÜLYÜZ
Format: Article
Language:deu
Published: Ankara Haci Bayram Veli University 2020-03-01
Series:Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
Subjects:
Online Access:https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2697
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spelling doaj-df29da315df5419d8211bc90574aa3392021-01-02T11:38:32ZdeuAnkara Haci Bayram Veli UniversityTürk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi1306-82532147-98952020-03-011937111010.34189/hbv.93.003Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir DeğerlendirmeBahriye GÜRAY GÜLYÜZhttps://orcid.org/0000-0003-1116-6527In the historical adventure of mankind, every number has acquired a special character, a unique mystery and a metaphysical meaning. In this context, some numbers as personal and social symbols are particularly emphasized as subjects of religion, science and art. The number seven that attracted communities from the earliest times has continued to exist, adding new ones to their meaning built around abundance, order, renewal and development. It is understood that the number seven has a special place in the culture and beliefs of Turks since pre-Islamic times. This privileged situation, which has been riveted with the influence of Islamic mysticism, has allowed many cults to be formed around the number seven. Researches show that from the beginning of the 16th century to the mid19th century, the tombs with heptagon shaped were built in the Balkans. The tombs of Otman Baba, Kıdemli Baba, Akyazılı Sultan, Demir Baba, Ali Baba and Abdullah Baba, which are the seventh shrines that have survived to the present day, are the original structures showing the characteristics of the period in which they were built. Hasan-Hüseyin and Demirhanlı Gazi Ali Baba tombs, which have been rebuilt with modern materials, demonstrate the persistent use of a unique design, which implemented only in the Balkans. This element is not only limited to the plan scheme, it is also emphasized in the architectural elements and decoration repertoires in the buildings. This unique design, which does not appear in other geographies of Turkish-Islamic architecture, should have been shaped by the combination of many factors. In this study, it is aimed to determine the sources of the heptagon shaped tomps, which is a monumental product of beliefs developed on the axis of number seven.https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2697balkansheptagon plan schemesacred number sevenotman babasymbolism
collection DOAJ
language deu
format Article
sources DOAJ
author Bahriye GÜRAY GÜLYÜZ
spellingShingle Bahriye GÜRAY GÜLYÜZ
Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir Değerlendirme
Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
balkans
heptagon plan scheme
sacred number seven
otman baba
symbolism
author_facet Bahriye GÜRAY GÜLYÜZ
author_sort Bahriye GÜRAY GÜLYÜZ
title Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir Değerlendirme
title_short Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir Değerlendirme
title_full Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir Değerlendirme
title_fullStr Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir Değerlendirme
title_full_unstemmed Balkanlarda Görülen Yedigen Planlı Türbe Şemasının Kaynakları Üzerine Bir Değerlendirme
title_sort balkanlarda görülen yedigen planlı türbe şemasının kaynakları üzerine bir değerlendirme
publisher Ankara Haci Bayram Veli University
series Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
issn 1306-8253
2147-9895
publishDate 2020-03-01
description In the historical adventure of mankind, every number has acquired a special character, a unique mystery and a metaphysical meaning. In this context, some numbers as personal and social symbols are particularly emphasized as subjects of religion, science and art. The number seven that attracted communities from the earliest times has continued to exist, adding new ones to their meaning built around abundance, order, renewal and development. It is understood that the number seven has a special place in the culture and beliefs of Turks since pre-Islamic times. This privileged situation, which has been riveted with the influence of Islamic mysticism, has allowed many cults to be formed around the number seven. Researches show that from the beginning of the 16th century to the mid19th century, the tombs with heptagon shaped were built in the Balkans. The tombs of Otman Baba, Kıdemli Baba, Akyazılı Sultan, Demir Baba, Ali Baba and Abdullah Baba, which are the seventh shrines that have survived to the present day, are the original structures showing the characteristics of the period in which they were built. Hasan-Hüseyin and Demirhanlı Gazi Ali Baba tombs, which have been rebuilt with modern materials, demonstrate the persistent use of a unique design, which implemented only in the Balkans. This element is not only limited to the plan scheme, it is also emphasized in the architectural elements and decoration repertoires in the buildings. This unique design, which does not appear in other geographies of Turkish-Islamic architecture, should have been shaped by the combination of many factors. In this study, it is aimed to determine the sources of the heptagon shaped tomps, which is a monumental product of beliefs developed on the axis of number seven.
topic balkans
heptagon plan scheme
sacred number seven
otman baba
symbolism
url https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2697
work_keys_str_mv AT bahriyeguraygulyuz balkanlardagorulenyedigenplanlıturbesemasınınkaynaklarıuzerinebirdegerlendirme
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