Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)

This article discusses symbolic forms and the association of folklore and politics in the Riga Brethren Cemetery (Brāļu Kapi). The iconographic and formal analysis of this memorial sheds light on its function as a place of worship for those who fell in action while fighting for the sovereignty of th...

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Main Author: Niederl-Garber, Claudia
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2017-07-01
Series:RIHA Journal
Subjects:
Online Access:http://www.riha-journal.org/articles/2017/0150-0176-special-issue-war-graves/0169-niederl-garber
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spelling doaj-df289374c4b643bfbec0d4a35a04d9652020-11-25T00:06:19ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal 2190-33282017-07-010169Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)Niederl-Garber, ClaudiaThis article discusses symbolic forms and the association of folklore and politics in the Riga Brethren Cemetery (Brāļu Kapi). The iconographic and formal analysis of this memorial sheds light on its function as a place of worship for those who fell in action while fighting for the sovereignty of the Latvian people. Considering that Latvia suffered severely from different foreign rules over the past centuries, the memorial has contributed to strengthen nationalistic movements in Latvian society and has played an important role in nation-building. The cemetery’s landscape design as well as its large-scale monuments by the Latvian sculptor Kārlis Zāle (1888-1942) borrowed themes from Latvian mythology. After investigating another major work of Zāle, the Freedom Monument in Riga, I analyse the main elements of the sculptural ensemble of the Brethren Cemetery. Eventually, I outline how the political circumstances have influenced the burial practices over the decades. With Latvia celebrating the centennial of its first proclamation of independence in 2018, the restoration of this memorial has been undertaken in recent years.http://www.riha-journal.org/articles/2017/0150-0176-special-issue-war-graves/0169-niederl-garberRigaBrüderfriedhofBrethren CemeteryKārlis Zāle (1888-1942)
collection DOAJ
language deu
format Article
sources DOAJ
author Niederl-Garber, Claudia
spellingShingle Niederl-Garber, Claudia
Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)
RIHA Journal
Riga
Brüderfriedhof
Brethren Cemetery
Kārlis Zāle (1888-1942)
author_facet Niederl-Garber, Claudia
author_sort Niederl-Garber, Claudia
title Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)
title_short Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)
title_full Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)
title_fullStr Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)
title_full_unstemmed Nationale Folklore und politischer Totenkult. Der Brüderfriedhof in Riga (1924-1936)
title_sort nationale folklore und politischer totenkult. der brüderfriedhof in riga (1924-1936)
publisher International Association of Research Institutes in the History of Art (RIHA)
series RIHA Journal
issn 2190-3328
publishDate 2017-07-01
description This article discusses symbolic forms and the association of folklore and politics in the Riga Brethren Cemetery (Brāļu Kapi). The iconographic and formal analysis of this memorial sheds light on its function as a place of worship for those who fell in action while fighting for the sovereignty of the Latvian people. Considering that Latvia suffered severely from different foreign rules over the past centuries, the memorial has contributed to strengthen nationalistic movements in Latvian society and has played an important role in nation-building. The cemetery’s landscape design as well as its large-scale monuments by the Latvian sculptor Kārlis Zāle (1888-1942) borrowed themes from Latvian mythology. After investigating another major work of Zāle, the Freedom Monument in Riga, I analyse the main elements of the sculptural ensemble of the Brethren Cemetery. Eventually, I outline how the political circumstances have influenced the burial practices over the decades. With Latvia celebrating the centennial of its first proclamation of independence in 2018, the restoration of this memorial has been undertaken in recent years.
topic Riga
Brüderfriedhof
Brethren Cemetery
Kārlis Zāle (1888-1942)
url http://www.riha-journal.org/articles/2017/0150-0176-special-issue-war-graves/0169-niederl-garber
work_keys_str_mv AT niederlgarberclaudia nationalefolkloreundpolitischertotenkultderbruderfriedhofinriga19241936
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