Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial Mexico

In addition to being one of the founding fathers of the modern novel, Mateo Alemán also wrote a stimulating treatise on spelling reform published in 1609 in Colonial Mexico. The Ortografía castellana is widely considered one of the best books on spelling reform written in Early Modern Spain and its...

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Bibliographic Details
Main Author: Francisco Ramírez Santacruz
Format: Article
Language:English
Published: Instituto de Estudios Auriseculares (IDEA) 2014-05-01
Series:Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
Online Access:http://www.revistahipogrifo.com/index.php/hipogrifo/article/view/59
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spelling doaj-debd540bdbd14875840c24029dc040e12020-11-24T23:53:20ZengInstituto de Estudios Auriseculares (IDEA)Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro2328-13082014-05-012114315310.13035/H.2014.02.01.1050Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial MexicoFrancisco Ramírez Santacruz0Benemérita Universidad Autónoma de PueblaIn addition to being one of the founding fathers of the modern novel, Mateo Alemán also wrote a stimulating treatise on spelling reform published in 1609 in Colonial Mexico. The Ortografía castellana is widely considered one of the best books on spelling reform written in Early Modern Spain and its territories due to its unparalleled display of elaborate literary artifice. But beyond its great significance for the study of the history of language, orthographies and national identity, and the rise of phoneticism in the 16th century, Alemán’s book has an autobiographical dimension unparalleled among works of its kind. This autobiographical data consists of recollections of his childhood, his time at university, his conversations with school teachers, his work for the Contaduría Real, and many other events that transform his book into a personal diary. The present study examines the role of autobiography and how it determines the structure of the treatise. Our analysis will show that behind the autobiographical allusions hides a self-fashioning project whose main purpose is to create an image for posterity of the artist called Mateo Alemán and provide him with an epic background.http://www.revistahipogrifo.com/index.php/hipogrifo/article/view/59
collection DOAJ
language English
format Article
sources DOAJ
author Francisco Ramírez Santacruz
spellingShingle Francisco Ramírez Santacruz
Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial Mexico
Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
author_facet Francisco Ramírez Santacruz
author_sort Francisco Ramírez Santacruz
title Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial Mexico
title_short Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial Mexico
title_full Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial Mexico
title_fullStr Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial Mexico
title_full_unstemmed Autobiography and Mateo Alemán: Notes on his Philological Book in Colonial Mexico
title_sort autobiography and mateo alemán: notes on his philological book in colonial mexico
publisher Instituto de Estudios Auriseculares (IDEA)
series Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
issn 2328-1308
publishDate 2014-05-01
description In addition to being one of the founding fathers of the modern novel, Mateo Alemán also wrote a stimulating treatise on spelling reform published in 1609 in Colonial Mexico. The Ortografía castellana is widely considered one of the best books on spelling reform written in Early Modern Spain and its territories due to its unparalleled display of elaborate literary artifice. But beyond its great significance for the study of the history of language, orthographies and national identity, and the rise of phoneticism in the 16th century, Alemán’s book has an autobiographical dimension unparalleled among works of its kind. This autobiographical data consists of recollections of his childhood, his time at university, his conversations with school teachers, his work for the Contaduría Real, and many other events that transform his book into a personal diary. The present study examines the role of autobiography and how it determines the structure of the treatise. Our analysis will show that behind the autobiographical allusions hides a self-fashioning project whose main purpose is to create an image for posterity of the artist called Mateo Alemán and provide him with an epic background.
url http://www.revistahipogrifo.com/index.php/hipogrifo/article/view/59
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