| Summary: | The little magazines were instrumental in turning Charles Bukowski into a hugely popular figure in American letters and, yet, their significance in Bukowski’s early career has been largely overlooked. For Bukowski, the little magazines were the ideal outlet for his prolific output, and their editors, who saw him as a spiritual leader, championed his work so vehemently that he eventually became the most published author of the 1960s––his indisputable rise to fame in the alternative literary scene is displayed in the graphs provided. Bukowski’s position was ambiguous: he needed those periodicals to satisfy his hunger for exposure and recognition and, yet, he attacked their editors for their allegedly unskillful productions, especially in the case of the mimeographs. This previously uncharted territory is illustrated by means of a critical and historical journey through the main magazines of the period, stressing how zealously they published Bukowski’s work and helped him become an international icon.
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