Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış

In 1928 Elena Fortún began to publish some collaborations in the children’s Sunday magazine Gente Menuda (Little People) in which Celia, an inquisitive and always wondering seven year-old girl, had the leading role. Those stories were the origin of one of Spanish children’s literature most famous...

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Main Author: Maria Jesus Horta*
Format: Article
Language:English
Published: Cyprus International University 2018-11-01
Series:Folklor/Edebiyat
Subjects:
Online Access:https://www.folkloredebiyat.org/Makaleler/1744703790_9.pdf
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spelling doaj-de3acd7d89544f679f80df3ce28b5f4e2020-11-25T03:22:49ZengCyprus International UniversityFolklor/Edebiyat1300-74911300-74912018-11-01249612714010.22559/folklor.341Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış Maria Jesus Horta*0*Doç.Dr. İstanbul Üniversitesi, Edebiyat Fakültesi, İspanyol Dili ve Edebiyatı Anabilim DalıIn 1928 Elena Fortún began to publish some collaborations in the children’s Sunday magazine Gente Menuda (Little People) in which Celia, an inquisitive and always wondering seven year-old girl, had the leading role. Those stories were the origin of one of Spanish children’s literature most famous sagas. They were published later in book format by Aguilar publishing house, but the series was stopped when Spanish Civil War broke out in 1936. At the beginning of 1939 Fortún published the first book of the saga not previously serialized in newspapers: Celia, madrecita (Celia, Little Mother). In her exile in Buenos Aires she finished writing the next one: Celia en la revolución (Celia at the Revolution). However, this last book would not be published until 1987. In this paper we will focus specially in Celia at the Revolution given that the book provides us with a different vision about the Civil War. In the book Celia is a teenager who goes through different cities following her family and running from war. There are too the author’s own experiences and real facts. Narrated in first person point of view, offers a quite impartial perspective of the conflict because the objective was to narrate the reality of war more than simply justify or defend any of the sides.https://www.folkloredebiyat.org/Makaleler/1744703790_9.pdfchildren’s and youth literatureElena FortúnCeliaSpanish civil war
collection DOAJ
language English
format Article
sources DOAJ
author Maria Jesus Horta*
spellingShingle Maria Jesus Horta*
Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış
Folklor/Edebiyat
children’s and youth literature
Elena Fortún
Celia
Spanish civil war
author_facet Maria Jesus Horta*
author_sort Maria Jesus Horta*
title Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış
title_short Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış
title_full Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış
title_fullStr Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış
title_full_unstemmed Celia at the Revolation: A Different Perspective of the Spanish Civil War / Celia Devrim Günlerinde: İspanyol İç Savaşına Farklı Bir Bakış
title_sort celia at the revolation: a different perspective of the spanish civil war / celia devrim günlerinde: i̇spanyol i̇ç savaşına farklı bir bakış
publisher Cyprus International University
series Folklor/Edebiyat
issn 1300-7491
1300-7491
publishDate 2018-11-01
description In 1928 Elena Fortún began to publish some collaborations in the children’s Sunday magazine Gente Menuda (Little People) in which Celia, an inquisitive and always wondering seven year-old girl, had the leading role. Those stories were the origin of one of Spanish children’s literature most famous sagas. They were published later in book format by Aguilar publishing house, but the series was stopped when Spanish Civil War broke out in 1936. At the beginning of 1939 Fortún published the first book of the saga not previously serialized in newspapers: Celia, madrecita (Celia, Little Mother). In her exile in Buenos Aires she finished writing the next one: Celia en la revolución (Celia at the Revolution). However, this last book would not be published until 1987. In this paper we will focus specially in Celia at the Revolution given that the book provides us with a different vision about the Civil War. In the book Celia is a teenager who goes through different cities following her family and running from war. There are too the author’s own experiences and real facts. Narrated in first person point of view, offers a quite impartial perspective of the conflict because the objective was to narrate the reality of war more than simply justify or defend any of the sides.
topic children’s and youth literature
Elena Fortún
Celia
Spanish civil war
url https://www.folkloredebiyat.org/Makaleler/1744703790_9.pdf
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