STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS

The article discusses the cultural revolution that took place in Sverdlovsk during the years of Perestroika and transformed rock-music, visual art, theatre, cinema, and literature. Hypothetically, these tendencies embodied not attempts to establish regional cultural identity but, on the contrary, ar...

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Main Author: Lipovetsky Mark Naumovich
Format: Article
Language:Russian
Published: Ural State Pedagogical University 2019-02-01
Series:Филологический класс
Subjects:
Online Access:https://filclass.ru/en/archive/2019/2-56/strange-case-of-a-regional-cultural-revolution-sverdlovsk-in-the-perestroika-years
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spelling doaj-dc920b6775ac4f1a883c0b754e15d3c82020-11-25T04:00:00ZrusUral State Pedagogical UniversityФилологический класс2071-24052658-52352019-02-012 (56)81610.26170/FK19-02-01STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARSLipovetsky Mark Naumovich0University of ColoradoThe article discusses the cultural revolution that took place in Sverdlovsk during the years of Perestroika and transformed rock-music, visual art, theatre, cinema, and literature. Hypothetically, these tendencies embodied not attempts to establish regional cultural identity but, on the contrary, artists’ striving to liberate themselves from regional and, more broadly, Soviet cultural models and invent new cultural languages of national and frequently global scope. The article interprets these transformations of culture as an idiosyncratic form of postcolonial development derivative of Russian internal colonization (Alexander Etkind). Resulting hybrid models were based on the conflation of the local and global, or rather representation of the local as the global. Such scenario of „entering the global culture“ turned out to be typical for post-Soviet culture in general, which explains wide popularity of the Sverdlovsk-born phenomena across Russia throughout the 1990s and 2000s. .https://filclass.ru/en/archive/2019/2-56/strange-case-of-a-regional-cultural-revolution-sverdlovsk-in-the-perestroika-yearsperestroikaurals cultureregional culturecultural revolutioncultural lifeinternal colonization
collection DOAJ
language Russian
format Article
sources DOAJ
author Lipovetsky Mark Naumovich
spellingShingle Lipovetsky Mark Naumovich
STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
Филологический класс
perestroika
urals culture
regional culture
cultural revolution
cultural life
internal colonization
author_facet Lipovetsky Mark Naumovich
author_sort Lipovetsky Mark Naumovich
title STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
title_short STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
title_full STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
title_fullStr STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
title_full_unstemmed STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
title_sort strange case of a regional cultural revolution: sverdlovsk in the perestroika years
publisher Ural State Pedagogical University
series Филологический класс
issn 2071-2405
2658-5235
publishDate 2019-02-01
description The article discusses the cultural revolution that took place in Sverdlovsk during the years of Perestroika and transformed rock-music, visual art, theatre, cinema, and literature. Hypothetically, these tendencies embodied not attempts to establish regional cultural identity but, on the contrary, artists’ striving to liberate themselves from regional and, more broadly, Soviet cultural models and invent new cultural languages of national and frequently global scope. The article interprets these transformations of culture as an idiosyncratic form of postcolonial development derivative of Russian internal colonization (Alexander Etkind). Resulting hybrid models were based on the conflation of the local and global, or rather representation of the local as the global. Such scenario of „entering the global culture“ turned out to be typical for post-Soviet culture in general, which explains wide popularity of the Sverdlovsk-born phenomena across Russia throughout the 1990s and 2000s. .
topic perestroika
urals culture
regional culture
cultural revolution
cultural life
internal colonization
url https://filclass.ru/en/archive/2019/2-56/strange-case-of-a-regional-cultural-revolution-sverdlovsk-in-the-perestroika-years
work_keys_str_mv AT lipovetskymarknaumovich strangecaseofaregionalculturalrevolutionsverdlovskintheperestroikayears
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