Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study
With this paper we draw attention to the role of the disaster, leading to profound changes, to the paradigm shift in the intervention of conservation and restoration of graphic documents, based on the study of case studies from the two main disaster types affecting paper works: the flood and fire. A...
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Associação Profissional de Conservadores - Restauradores de Portugal
2017-01-01
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Online Access: | https://doi.org/10.14568/cp2016034 |
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doaj-dc3d05dce0dd4bb9ac8babee0596dad82020-11-25T00:55:26ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422017-01-0125152210.14568/cp20160342016034Conservation-Restoration paradigm shift after disaster: the Graphic Documents case studyMaria da Conceição Lopes Casanova0Museu Nacional de História Natural e da Ciência - ULisboa , Rua da Escola Politécnica, 56-58, 1250-102 Lisboa, PortugalWith this paper we draw attention to the role of the disaster, leading to profound changes, to the paradigm shift in the intervention of conservation and restoration of graphic documents, based on the study of case studies from the two main disaster types affecting paper works: the flood and fire. As examples we present the flooding of Florence in 1966, which reached the Biblioteca Nazionale Centrale di Firenze and precipitated a shift, breaking with the mimetic restoration, and the fire of the National Personal Records Center, in 1973, which allowed a new demand to non-invasive methods for information retrieval, through the development of preventive methods and the application of digital restoration techniques in the 21st century. In parallel, are placed two cases in Portugal: the great flood, in 1967, in the region of Lisbon, which affected the Calouste Gulbenkian collections, and the fire of the Escola Politécnica, in 1978, which destroyed part of the Arquivo Histórico do Museu Bocage.https://doi.org/10.14568/cp2016034FloodsFiresGraphic documentsMimetic restorationConservationDigital restoration |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Maria da Conceição Lopes Casanova |
spellingShingle |
Maria da Conceição Lopes Casanova Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study Conservar Património Floods Fires Graphic documents Mimetic restoration Conservation Digital restoration |
author_facet |
Maria da Conceição Lopes Casanova |
author_sort |
Maria da Conceição Lopes Casanova |
title |
Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study |
title_short |
Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study |
title_full |
Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study |
title_fullStr |
Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study |
title_full_unstemmed |
Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study |
title_sort |
conservation-restoration paradigm shift after disaster: the graphic documents case study |
publisher |
Associação Profissional de Conservadores - Restauradores de Portugal |
series |
Conservar Património |
issn |
1646-043X 2182-9942 |
publishDate |
2017-01-01 |
description |
With this paper we draw attention to the role of the disaster, leading to profound changes, to the paradigm shift in the intervention of conservation and restoration of graphic documents, based on the study of case studies from the two main disaster types affecting paper works: the flood and fire. As examples we present the flooding of Florence in 1966, which reached the Biblioteca Nazionale Centrale di Firenze and precipitated a shift, breaking with the mimetic restoration, and the fire of the National Personal Records Center, in 1973, which allowed a new demand to non-invasive methods for information retrieval, through the development of preventive methods and the application of digital restoration techniques in the 21st century. In parallel, are placed two cases in Portugal: the great flood, in 1967, in the region of Lisbon, which affected the Calouste Gulbenkian collections, and the fire of the Escola Politécnica, in 1978, which destroyed part of the Arquivo Histórico do Museu Bocage. |
topic |
Floods Fires Graphic documents Mimetic restoration Conservation Digital restoration |
url |
https://doi.org/10.14568/cp2016034 |
work_keys_str_mv |
AT mariadaconceicaolopescasanova conservationrestorationparadigmshiftafterdisasterthegraphicdocumentscasestudy |
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1725230386839027712 |