Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study

With this paper we draw attention to the role of the disaster, leading to profound changes, to the paradigm shift in the intervention of conservation and restoration of graphic documents, based on the study of case studies from the two main disaster types affecting paper works: the flood and fire. A...

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Main Author: Maria da Conceição Lopes Casanova
Format: Article
Language:English
Published: Associação Profissional de Conservadores - Restauradores de Portugal 2017-01-01
Series:Conservar Património
Subjects:
Online Access:https://doi.org/10.14568/cp2016034
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spelling doaj-dc3d05dce0dd4bb9ac8babee0596dad82020-11-25T00:55:26ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422017-01-0125152210.14568/cp20160342016034Conservation-Restoration paradigm shift after disaster: the Graphic Documents case studyMaria da Conceição Lopes Casanova0Museu Nacional de História Natural e da Ciência - ULisboa , Rua da Escola Politécnica, 56-58, 1250-102 Lisboa, PortugalWith this paper we draw attention to the role of the disaster, leading to profound changes, to the paradigm shift in the intervention of conservation and restoration of graphic documents, based on the study of case studies from the two main disaster types affecting paper works: the flood and fire. As examples we present the flooding of Florence in 1966, which reached the Biblioteca Nazionale Centrale di Firenze and precipitated a shift, breaking with the mimetic restoration, and the fire of the National Personal Records Center, in 1973, which allowed a new demand to non-invasive methods for information retrieval, through the development of preventive methods and the application of digital restoration techniques in the 21st century. In parallel, are placed two cases in Portugal: the great flood, in 1967, in the region of Lisbon, which affected the Calouste Gulbenkian collections, and the fire of the Escola Politécnica, in 1978, which destroyed part of the Arquivo Histórico do Museu Bocage.https://doi.org/10.14568/cp2016034FloodsFiresGraphic documentsMimetic restorationConservationDigital restoration
collection DOAJ
language English
format Article
sources DOAJ
author Maria da Conceição Lopes Casanova
spellingShingle Maria da Conceição Lopes Casanova
Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study
Conservar Património
Floods
Fires
Graphic documents
Mimetic restoration
Conservation
Digital restoration
author_facet Maria da Conceição Lopes Casanova
author_sort Maria da Conceição Lopes Casanova
title Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study
title_short Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study
title_full Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study
title_fullStr Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study
title_full_unstemmed Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study
title_sort conservation-restoration paradigm shift after disaster: the graphic documents case study
publisher Associação Profissional de Conservadores - Restauradores de Portugal
series Conservar Património
issn 1646-043X
2182-9942
publishDate 2017-01-01
description With this paper we draw attention to the role of the disaster, leading to profound changes, to the paradigm shift in the intervention of conservation and restoration of graphic documents, based on the study of case studies from the two main disaster types affecting paper works: the flood and fire. As examples we present the flooding of Florence in 1966, which reached the Biblioteca Nazionale Centrale di Firenze and precipitated a shift, breaking with the mimetic restoration, and the fire of the National Personal Records Center, in 1973, which allowed a new demand to non-invasive methods for information retrieval, through the development of preventive methods and the application of digital restoration techniques in the 21st century. In parallel, are placed two cases in Portugal: the great flood, in 1967, in the region of Lisbon, which affected the Calouste Gulbenkian collections, and the fire of the Escola Politécnica, in 1978, which destroyed part of the Arquivo Histórico do Museu Bocage.
topic Floods
Fires
Graphic documents
Mimetic restoration
Conservation
Digital restoration
url https://doi.org/10.14568/cp2016034
work_keys_str_mv AT mariadaconceicaolopescasanova conservationrestorationparadigmshiftafterdisasterthegraphicdocumentscasestudy
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