Studies in late Dugento and early Trecento painting who is Duccio?: Part I
This study focuses on the meaning of Duccio's certain early masterpiece begun in 1285, his Rucellai Madonna: its iconography, style, spatial structure and ornament, to serve as the basis of a more extended examination of his artistic career and sphere of influence, to be examined in a later pub...
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| Format: | Article |
| Language: | deu |
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Faculty of Philosophy, Belgrade
2004-01-01
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| Series: | Zograf |
| Online Access: | http://www.doiserbia.nb.rs/img/doi/0350-1361/2004-2005/0350-13610530089P.pdf |