Liberazione della vita

Philosophy and music can achieve the same thing by different means. This paper considers three types of improvisation (on a harmonic structure [jazz], free, and “deep listening”) as steps in an investigation on freedom in musical improvisation, as well as on its potential liberation of life. As an...

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Main Author: Daniele Goldoni
Format: Article
Language:English
Published: Università degli Studi di Milano 2015-12-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/6668
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spelling doaj-daa1320968e14dd9a693b5e24fab1e4d2020-11-25T03:17:53ZengUniversità degli Studi di MilanoItinera2039-92512015-12-011010.13130/2039-9251/6668Liberazione della vitaDaniele Goldoni0Università Ca’ Foscari di Venezia Philosophy and music can achieve the same thing by different means. This paper considers three types of improvisation (on a harmonic structure [jazz], free, and “deep listening”) as steps in an investigation on freedom in musical improvisation, as well as on its potential liberation of life. As an alternative to the well-known concepts of “rapid” or “instant composing”, here musical improvisation is conceived of as the production of a present – in which life is present to itself – through composition-for-improvisation and as a kind of poetic work designed to give one a “voice” of one’s own. https://riviste.unimi.it/index.php/itinera/article/view/6668
collection DOAJ
language English
format Article
sources DOAJ
author Daniele Goldoni
spellingShingle Daniele Goldoni
Liberazione della vita
Itinera
author_facet Daniele Goldoni
author_sort Daniele Goldoni
title Liberazione della vita
title_short Liberazione della vita
title_full Liberazione della vita
title_fullStr Liberazione della vita
title_full_unstemmed Liberazione della vita
title_sort liberazione della vita
publisher Università degli Studi di Milano
series Itinera
issn 2039-9251
publishDate 2015-12-01
description Philosophy and music can achieve the same thing by different means. This paper considers three types of improvisation (on a harmonic structure [jazz], free, and “deep listening”) as steps in an investigation on freedom in musical improvisation, as well as on its potential liberation of life. As an alternative to the well-known concepts of “rapid” or “instant composing”, here musical improvisation is conceived of as the production of a present – in which life is present to itself – through composition-for-improvisation and as a kind of poetic work designed to give one a “voice” of one’s own.
url https://riviste.unimi.it/index.php/itinera/article/view/6668
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