Liberazione della vita
Philosophy and music can achieve the same thing by different means. This paper considers three types of improvisation (on a harmonic structure [jazz], free, and “deep listening”) as steps in an investigation on freedom in musical improvisation, as well as on its potential liberation of life. As an...
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Università degli Studi di Milano
2015-12-01
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doaj-daa1320968e14dd9a693b5e24fab1e4d2020-11-25T03:17:53ZengUniversità degli Studi di MilanoItinera2039-92512015-12-011010.13130/2039-9251/6668Liberazione della vitaDaniele Goldoni0Università Ca’ Foscari di Venezia Philosophy and music can achieve the same thing by different means. This paper considers three types of improvisation (on a harmonic structure [jazz], free, and “deep listening”) as steps in an investigation on freedom in musical improvisation, as well as on its potential liberation of life. As an alternative to the well-known concepts of “rapid” or “instant composing”, here musical improvisation is conceived of as the production of a present – in which life is present to itself – through composition-for-improvisation and as a kind of poetic work designed to give one a “voice” of one’s own. https://riviste.unimi.it/index.php/itinera/article/view/6668 |
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DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Daniele Goldoni |
spellingShingle |
Daniele Goldoni Liberazione della vita Itinera |
author_facet |
Daniele Goldoni |
author_sort |
Daniele Goldoni |
title |
Liberazione della vita |
title_short |
Liberazione della vita |
title_full |
Liberazione della vita |
title_fullStr |
Liberazione della vita |
title_full_unstemmed |
Liberazione della vita |
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liberazione della vita |
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Università degli Studi di Milano |
series |
Itinera |
issn |
2039-9251 |
publishDate |
2015-12-01 |
description |
Philosophy and music can achieve the same thing by different means. This paper considers three types of improvisation (on a harmonic structure [jazz], free, and “deep listening”) as steps in an investigation on freedom in musical improvisation, as well as on its potential liberation of life. As an alternative to the well-known concepts of “rapid” or “instant composing”, here musical improvisation is conceived of as the production of a present – in which life is present to itself – through composition-for-improvisation and as a kind of poetic work designed to give one a “voice” of one’s own.
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https://riviste.unimi.it/index.php/itinera/article/view/6668 |
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