Les voies de la (re)connaissance.

This article aims to examine the ways in which different conceptions (national, disciplinary, ideological) can play a part in the process of reception, through the case of the woman artist and intellectual Claude Cahun. It intends to show the ways in which the processes of rediscovery have been shap...

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Main Author: Eve Gianoncelli
Format: Article
Language:fra
Published: Genre, Sexualité et Société 2016-12-01
Series:Genre, Sexualité et Société
Subjects:
Online Access:http://journals.openedition.org/gss/3907
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spelling doaj-da65c863d5604e46881c680efe83eb8d2020-11-24T21:17:54ZfraGenre, Sexualité et SociétéGenre, Sexualité et Société2104-37362016-12-011610.4000/gss.3907Les voies de la (re)connaissance.Eve GianoncelliThis article aims to examine the ways in which different conceptions (national, disciplinary, ideological) can play a part in the process of reception, through the case of the woman artist and intellectual Claude Cahun. It intends to show the ways in which the processes of rediscovery have been shaped in antagonistic ways between “French” and “American” genealogies which consist in different relations to the surrealist issues and to those dealing with gender and / or sexuality. They are part of the larger opposition between universalism and communitarianism, French intellectual world and US artistic world and of opposite conceptions of the subject, abstract from one hand, situated to the other hand. In differing ways, these oppositions converge to insist upon the exceptional and subversive status of Cahun. In conclusion, I propose to highlight my own standpoint and the ways in which the category of “woman intellectual” may help to better understand Cahun’s forms of experience and subjectivity.http://journals.openedition.org/gss/3907Cahunrecptionepistemologyfeminismsurrealismexperience
collection DOAJ
language fra
format Article
sources DOAJ
author Eve Gianoncelli
spellingShingle Eve Gianoncelli
Les voies de la (re)connaissance.
Genre, Sexualité et Société
Cahun
recption
epistemology
feminism
surrealism
experience
author_facet Eve Gianoncelli
author_sort Eve Gianoncelli
title Les voies de la (re)connaissance.
title_short Les voies de la (re)connaissance.
title_full Les voies de la (re)connaissance.
title_fullStr Les voies de la (re)connaissance.
title_full_unstemmed Les voies de la (re)connaissance.
title_sort les voies de la (re)connaissance.
publisher Genre, Sexualité et Société
series Genre, Sexualité et Société
issn 2104-3736
publishDate 2016-12-01
description This article aims to examine the ways in which different conceptions (national, disciplinary, ideological) can play a part in the process of reception, through the case of the woman artist and intellectual Claude Cahun. It intends to show the ways in which the processes of rediscovery have been shaped in antagonistic ways between “French” and “American” genealogies which consist in different relations to the surrealist issues and to those dealing with gender and / or sexuality. They are part of the larger opposition between universalism and communitarianism, French intellectual world and US artistic world and of opposite conceptions of the subject, abstract from one hand, situated to the other hand. In differing ways, these oppositions converge to insist upon the exceptional and subversive status of Cahun. In conclusion, I propose to highlight my own standpoint and the ways in which the category of “woman intellectual” may help to better understand Cahun’s forms of experience and subjectivity.
topic Cahun
recption
epistemology
feminism
surrealism
experience
url http://journals.openedition.org/gss/3907
work_keys_str_mv AT evegianoncelli lesvoiesdelareconnaissance
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