“The Heartbeat of Hamilton”

Traditionally, children’s “voices” have been underrepresented in the field of cultural geography. Rather, “adultist views” dominate. In this article, we describe the methodological process of undertaking a comprehensive, participatory action visual methodologies project known as the Hamilton Photovo...

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Main Authors: Fiona Moola, Jay Johnson, Jennifer Lay, Seychelle Krygsman, Guy Faulkner
Format: Article
Language:English
Published: SAGE Publishing 2015-11-01
Series:International Journal of Qualitative Methods
Online Access:https://doi.org/10.1177/1609406915611560
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spelling doaj-d924a424e257446f88d55cb753b6df0c2020-11-25T03:24:02ZengSAGE PublishingInternational Journal of Qualitative Methods1609-40692015-11-011410.1177/160940691561156010.1177_1609406915611560“The Heartbeat of Hamilton”Fiona Moola0Jay Johnson1Jennifer Lay2Seychelle Krygsman3Guy Faulkner4Children’s Hospital Research Institute of Manitoba, Manitoba, Winnipeg, CanadaFaculty of Kinesiology and Recreation Management, University of Manitoba, Manitoba, Winnipeg, CanadaPolicy, Planning, and Innovation, Toronto, MetrolinxPolicy, Planning, and Innovation, Toronto, MetrolinxCIHR-PHAC Chair in Applied Public Health School of Kinesiology University of British ColumbiaTraditionally, children’s “voices” have been underrepresented in the field of cultural geography. Rather, “adultist views” dominate. In this article, we describe the methodological process of undertaking a comprehensive, participatory action visual methodologies project known as the Hamilton Photovoice Project (HPP) with children from low socioeconomic status neighborhoods in Hamilton, Ontario, Canada. We also discuss the lessons that we have learned along the way. The purpose of the HPP was to investigate how children in downtown Hamilton experience their metropolitan landscape. Specifically, we examined walking routes for the purposes of identifying desired environmental changes that may increase the use and enjoyment of community walking routes and spaces along routes. In doing so, we discuss what was learned from the methodological process of collecting and working with children’s visual productions, including how children appear to use visual methods. Although children’s visual productions appear to convey complex emotional, social, and political sentiments about their spatial experiences and desired environmental changes, the methodological process is invariably constrained by the institutions that govern and police children today during the research process. Thus, this study contributes toward the ongoing dialogue about the merits and tensions inherent to using children’s visual productions as a way to capture perceptions toward place.https://doi.org/10.1177/1609406915611560
collection DOAJ
language English
format Article
sources DOAJ
author Fiona Moola
Jay Johnson
Jennifer Lay
Seychelle Krygsman
Guy Faulkner
spellingShingle Fiona Moola
Jay Johnson
Jennifer Lay
Seychelle Krygsman
Guy Faulkner
“The Heartbeat of Hamilton”
International Journal of Qualitative Methods
author_facet Fiona Moola
Jay Johnson
Jennifer Lay
Seychelle Krygsman
Guy Faulkner
author_sort Fiona Moola
title “The Heartbeat of Hamilton”
title_short “The Heartbeat of Hamilton”
title_full “The Heartbeat of Hamilton”
title_fullStr “The Heartbeat of Hamilton”
title_full_unstemmed “The Heartbeat of Hamilton”
title_sort “the heartbeat of hamilton”
publisher SAGE Publishing
series International Journal of Qualitative Methods
issn 1609-4069
publishDate 2015-11-01
description Traditionally, children’s “voices” have been underrepresented in the field of cultural geography. Rather, “adultist views” dominate. In this article, we describe the methodological process of undertaking a comprehensive, participatory action visual methodologies project known as the Hamilton Photovoice Project (HPP) with children from low socioeconomic status neighborhoods in Hamilton, Ontario, Canada. We also discuss the lessons that we have learned along the way. The purpose of the HPP was to investigate how children in downtown Hamilton experience their metropolitan landscape. Specifically, we examined walking routes for the purposes of identifying desired environmental changes that may increase the use and enjoyment of community walking routes and spaces along routes. In doing so, we discuss what was learned from the methodological process of collecting and working with children’s visual productions, including how children appear to use visual methods. Although children’s visual productions appear to convey complex emotional, social, and political sentiments about their spatial experiences and desired environmental changes, the methodological process is invariably constrained by the institutions that govern and police children today during the research process. Thus, this study contributes toward the ongoing dialogue about the merits and tensions inherent to using children’s visual productions as a way to capture perceptions toward place.
url https://doi.org/10.1177/1609406915611560
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