Ermanno Olmi’s Torneranno i prati (2014). The Icon and the Author’s Declarations
According to its author, Torneranno i prati does not intend to be a realistic presentation of first world war events, but an icon, an object to reflect about. The movie was subsidized by the State and presented to the world as part of its commemorative activities. Olmi’s declarations through differe...
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| Format: | Article |
| Language: | English |
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Ediciones Universidad de Salamanca
2018-12-01
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| Series: | Fonseca: Journal of Communication |
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| Online Access: | http://revistas.usal.es/index.php/2172-9077/article/view/19553 |