HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938

At the present time, public spaces are seen as the support of collective life. They reflect the inhabitant's culture and create the image of a place. They include a continuous public realm that reflects the image and identity of the city as it accommodates the many activities - individually or...

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Main Authors: Silvia Barradas, Sofia Aguas, Sofia Isidoro
Format: Article
Language:Catalan
Published: Universitat de Barcelona 2007-04-01
Series:On the W@terfront
Online Access:http://revistes.ub.edu/index.php/waterfront/article/view/18923
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spelling doaj-d8dd10c63e37484880695d42a032cbee2021-07-23T13:07:42ZcatUniversitat de BarcelonaOn the W@terfront1139-73652007-04-01916403HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938Silvia Barradas0Sofia AguasSofia Isidoro1"CER POLIS. Fine Arts Faculty. University of Barcelona""Architect"At the present time, public spaces are seen as the support of collective life. They reflect the inhabitant's culture and create the image of a place. They include a continuous public realm that reflects the image and identity of the city as it accommodates the many activities - individually or in‐group ‐ that make up public life and social interactions. The quality and image of these public spaces in the public perception is created by the cohesiveness of the public realm – the facades, squares, streets, open spaces, etc. – together with the street furniture contained within their structure. This paper will briefly describe the urban development of the city of Lisbon after the big earthquake in 1755 till near 1938, and the emergence of street furniture within this scenery. It will also identify the importance of knowing the relevance and effects of historical urban furniture elements in today’s inhabitants’ local memory and to understand its influence in users and in the overall environment.http://revistes.ub.edu/index.php/waterfront/article/view/18923
collection DOAJ
language Catalan
format Article
sources DOAJ
author Silvia Barradas
Sofia Aguas
Sofia Isidoro
spellingShingle Silvia Barradas
Sofia Aguas
Sofia Isidoro
HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938
On the W@terfront
author_facet Silvia Barradas
Sofia Aguas
Sofia Isidoro
author_sort Silvia Barradas
title HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938
title_short HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938
title_full HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938
title_fullStr HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938
title_full_unstemmed HISTORIC DESIGNS IN PLACE MAKING: POETICS AND POLITICS OF STREET FURNITURE, 1755‐1938
title_sort historic designs in place making: poetics and politics of street furniture, 1755‐1938
publisher Universitat de Barcelona
series On the W@terfront
issn 1139-7365
publishDate 2007-04-01
description At the present time, public spaces are seen as the support of collective life. They reflect the inhabitant's culture and create the image of a place. They include a continuous public realm that reflects the image and identity of the city as it accommodates the many activities - individually or in‐group ‐ that make up public life and social interactions. The quality and image of these public spaces in the public perception is created by the cohesiveness of the public realm – the facades, squares, streets, open spaces, etc. – together with the street furniture contained within their structure. This paper will briefly describe the urban development of the city of Lisbon after the big earthquake in 1755 till near 1938, and the emergence of street furniture within this scenery. It will also identify the importance of knowing the relevance and effects of historical urban furniture elements in today’s inhabitants’ local memory and to understand its influence in users and in the overall environment.
url http://revistes.ub.edu/index.php/waterfront/article/view/18923
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