The role of character goals and changes in body position in the processing of events in visual narratives

Abstract Background A growing body of research is beginning to understand how people comprehend sequential visual narratives. However, previous work has used materials that primarily rely on visual information (i.e., they contain minimal language information). The current work seeks to address how v...

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Main Authors: Ryan D. Kopatich, Daniel P. Feller, Christopher A. Kurby, Joseph P. Magliano
Format: Article
Language:English
Published: SpringerOpen 2019-07-01
Series:Cognitive Research
Subjects:
Online Access:http://link.springer.com/article/10.1186/s41235-019-0176-1
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spelling doaj-d8c41fc14d454ac6b1dcdec000b81f462020-11-25T02:14:06ZengSpringerOpenCognitive Research2365-74642019-07-014111510.1186/s41235-019-0176-1The role of character goals and changes in body position in the processing of events in visual narrativesRyan D. Kopatich0Daniel P. Feller1Christopher A. Kurby2Joseph P. Magliano3Northern Illinois UniversityGeorgia State UniversityGrand Valley State UniversityGeorgia State UniversityAbstract Background A growing body of research is beginning to understand how people comprehend sequential visual narratives. However, previous work has used materials that primarily rely on visual information (i.e., they contain minimal language information). The current work seeks to address how visual and linguistic information streams are coordinated in sequential image comprehension. In experiment 1, participants viewed picture stories and engaged in an event segmentation task. The extent to which critical points in the narrative depicted situational continuity of character goals and continuity in bodily position was manipulated. The likelihood of perceiving an event boundary and viewing latencies at critical locations were measured. Experiment 1 was replicated in the second experiment, without the segmentation task. That is, participants read the picture stories without deciding where the event boundaries occurred. Results Experiment 1 indicated that changes in character goals were associated with an increased likelihood of segmenting at the critical point, but changes in bodily position were not. A follow-up analysis, however, revealed that over the course of the entire story, changes in body position were a significant predictor of event segmentation. Viewing time, however, was affected by both goal and body position shifts. Experiment 2 corroborated the finding that viewing time was affected by changes in goals and body positions. Conclusion The current study shows that changes in body position influence a viewer’s perception of event structure and event processing. This fits into a growing body of research that attempts to understand how consumers of multimodal media coordinate multiple information streams. The current study underscores the need for the systematic study of the visual, perceptual, and comprehension processes that occur during visual narrative understanding.http://link.springer.com/article/10.1186/s41235-019-0176-1Event cognitionEvent segmentationVisual narrativesComics
collection DOAJ
language English
format Article
sources DOAJ
author Ryan D. Kopatich
Daniel P. Feller
Christopher A. Kurby
Joseph P. Magliano
spellingShingle Ryan D. Kopatich
Daniel P. Feller
Christopher A. Kurby
Joseph P. Magliano
The role of character goals and changes in body position in the processing of events in visual narratives
Cognitive Research
Event cognition
Event segmentation
Visual narratives
Comics
author_facet Ryan D. Kopatich
Daniel P. Feller
Christopher A. Kurby
Joseph P. Magliano
author_sort Ryan D. Kopatich
title The role of character goals and changes in body position in the processing of events in visual narratives
title_short The role of character goals and changes in body position in the processing of events in visual narratives
title_full The role of character goals and changes in body position in the processing of events in visual narratives
title_fullStr The role of character goals and changes in body position in the processing of events in visual narratives
title_full_unstemmed The role of character goals and changes in body position in the processing of events in visual narratives
title_sort role of character goals and changes in body position in the processing of events in visual narratives
publisher SpringerOpen
series Cognitive Research
issn 2365-7464
publishDate 2019-07-01
description Abstract Background A growing body of research is beginning to understand how people comprehend sequential visual narratives. However, previous work has used materials that primarily rely on visual information (i.e., they contain minimal language information). The current work seeks to address how visual and linguistic information streams are coordinated in sequential image comprehension. In experiment 1, participants viewed picture stories and engaged in an event segmentation task. The extent to which critical points in the narrative depicted situational continuity of character goals and continuity in bodily position was manipulated. The likelihood of perceiving an event boundary and viewing latencies at critical locations were measured. Experiment 1 was replicated in the second experiment, without the segmentation task. That is, participants read the picture stories without deciding where the event boundaries occurred. Results Experiment 1 indicated that changes in character goals were associated with an increased likelihood of segmenting at the critical point, but changes in bodily position were not. A follow-up analysis, however, revealed that over the course of the entire story, changes in body position were a significant predictor of event segmentation. Viewing time, however, was affected by both goal and body position shifts. Experiment 2 corroborated the finding that viewing time was affected by changes in goals and body positions. Conclusion The current study shows that changes in body position influence a viewer’s perception of event structure and event processing. This fits into a growing body of research that attempts to understand how consumers of multimodal media coordinate multiple information streams. The current study underscores the need for the systematic study of the visual, perceptual, and comprehension processes that occur during visual narrative understanding.
topic Event cognition
Event segmentation
Visual narratives
Comics
url http://link.springer.com/article/10.1186/s41235-019-0176-1
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