Parcs à sculptures en Valais : vers une critique de l’économie de projet

Over the past decade, the canton of Valais in the Swiss Alps has witnessed a true craze for site-specific sculptures or installations linked to the landscape. The predominant curatorial model has been the landscape sculpture park. The decision to choose the natural environment as the context for mon...

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Main Author: Benoît Antille
Format: Article
Language:English
Published: Institut de Géographie Alpine 2017-06-01
Series:Revue de Géographie Alpine
Subjects:
Online Access:http://journals.openedition.org/rga/3660
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spelling doaj-d8bf0ac5620c40768a5ac7d96a79893a2021-09-02T14:47:26ZengInstitut de Géographie AlpineRevue de Géographie Alpine0035-11211760-74262017-06-01105210.4000/rga.3660Parcs à sculptures en Valais : vers une critique de l’économie de projetBenoît AntilleOver the past decade, the canton of Valais in the Swiss Alps has witnessed a true craze for site-specific sculptures or installations linked to the landscape. The predominant curatorial model has been the landscape sculpture park. The decision to choose the natural environment as the context for monumental sculptures or installations suggests that a certain idea of “land art” serves as a model for the projects developed in the Valais. This model is seen as a way to develop cultural content in response to the structural changes affecting the rural and mountainous regions. The École Cantonale d’Art du Valais undertook a research project to gain a better understanding of this phenomenon. The project’s conclusions are summarised here. The main goals of this research were to identify the conditions that explain the rising number of art projects in response to territorial issues and to propose a critical analysis based on case studies from the Valais. Three main conditions were identified: an urbanisation process at play in the countryside, the development of managerial cultural policies in line with the concepts of the creative economy and the development of an economy of project work in the art world. In short, the analysis of the case studies from the Valais suggests a link between this economy of project work and the creation and legitimisation of low-stakes cultural “products.”http://journals.openedition.org/rga/3660Landscape sculpture parksValais (Switzerland)site-specific practicesland artterritorial developmenteconomy of project work
collection DOAJ
language English
format Article
sources DOAJ
author Benoît Antille
spellingShingle Benoît Antille
Parcs à sculptures en Valais : vers une critique de l’économie de projet
Revue de Géographie Alpine
Landscape sculpture parks
Valais (Switzerland)
site-specific practices
land art
territorial development
economy of project work
author_facet Benoît Antille
author_sort Benoît Antille
title Parcs à sculptures en Valais : vers une critique de l’économie de projet
title_short Parcs à sculptures en Valais : vers une critique de l’économie de projet
title_full Parcs à sculptures en Valais : vers une critique de l’économie de projet
title_fullStr Parcs à sculptures en Valais : vers une critique de l’économie de projet
title_full_unstemmed Parcs à sculptures en Valais : vers une critique de l’économie de projet
title_sort parcs à sculptures en valais : vers une critique de l’économie de projet
publisher Institut de Géographie Alpine
series Revue de Géographie Alpine
issn 0035-1121
1760-7426
publishDate 2017-06-01
description Over the past decade, the canton of Valais in the Swiss Alps has witnessed a true craze for site-specific sculptures or installations linked to the landscape. The predominant curatorial model has been the landscape sculpture park. The decision to choose the natural environment as the context for monumental sculptures or installations suggests that a certain idea of “land art” serves as a model for the projects developed in the Valais. This model is seen as a way to develop cultural content in response to the structural changes affecting the rural and mountainous regions. The École Cantonale d’Art du Valais undertook a research project to gain a better understanding of this phenomenon. The project’s conclusions are summarised here. The main goals of this research were to identify the conditions that explain the rising number of art projects in response to territorial issues and to propose a critical analysis based on case studies from the Valais. Three main conditions were identified: an urbanisation process at play in the countryside, the development of managerial cultural policies in line with the concepts of the creative economy and the development of an economy of project work in the art world. In short, the analysis of the case studies from the Valais suggests a link between this economy of project work and the creation and legitimisation of low-stakes cultural “products.”
topic Landscape sculpture parks
Valais (Switzerland)
site-specific practices
land art
territorial development
economy of project work
url http://journals.openedition.org/rga/3660
work_keys_str_mv AT benoitantille parcsasculpturesenvalaisversunecritiquedeleconomiedeprojet
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