Evangelisk ironi

This article addresses the question whether unreliable narration, as the concept is understood in the tradition following Wayne Booth’s original definition, can occur in non-fictional stories. Contrary to Pekka Tammi’s conclusion in a recent article, this article’s answer is affirmative. It seeks to...

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Main Author: Rolf Gaasland
Format: Article
Language:English
Published: Septentrio Academic Publishing 2018-12-01
Series:Nordlit: Tidsskrift i litteratur og kultur
Subjects:
Online Access:https://septentrio.uit.no/index.php/nordlit/article/view/4466
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spelling doaj-d8676e0fa329452d9b41611d5d3c9a882020-11-24T21:21:38ZengSeptentrio Academic PublishingNordlit: Tidsskrift i litteratur og kultur 0809-16681503-20862018-12-014010.7557/13.4466Evangelisk ironiRolf Gaasland0UiT Norges arktiske universitetThis article addresses the question whether unreliable narration, as the concept is understood in the tradition following Wayne Booth’s original definition, can occur in non-fictional stories. Contrary to Pekka Tammi’s conclusion in a recent article, this article’s answer is affirmative. It seeks to demonstrate, through a comparative analysis of respectively Mark’s and Matthew’s stories about the Canaanite woman (Mark 7:24–30 and Matthew 15:21–28), how Matthew comes forward as an unreliable narrator, and that his narrative unreliability is a function of what James Phelan has termed underreporting. The textual analysis, which leans on Gregory Currie’s and James Phelan’s theories of unreliable narration, argues that far from being more or less identical stories, as is suggested by various exegetes, Matthew’s pericope is significantly different from that of Mark. It is different both thematically and regarding the portrayal of the figure of Jesus, but also, and not least, by pursuing a more complex and daring communicative strategy based on unreliable narration and a system of multilayered irony. In concluding the theoretical discussion of unreliable narration, I suggest not only that unreliable narration is possible in non-fictional stories, but also that it is a somewhat misleading concept when applied to the kind of stories Wayne Booth normally referred to, namely fictional first-person narratives. https://septentrio.uit.no/index.php/nordlit/article/view/4466Upålitelig narrasjonBoothden kanaaneiske kvinnenMarkusMatteusironi
collection DOAJ
language English
format Article
sources DOAJ
author Rolf Gaasland
spellingShingle Rolf Gaasland
Evangelisk ironi
Nordlit: Tidsskrift i litteratur og kultur
Upålitelig narrasjon
Booth
den kanaaneiske kvinnen
Markus
Matteus
ironi
author_facet Rolf Gaasland
author_sort Rolf Gaasland
title Evangelisk ironi
title_short Evangelisk ironi
title_full Evangelisk ironi
title_fullStr Evangelisk ironi
title_full_unstemmed Evangelisk ironi
title_sort evangelisk ironi
publisher Septentrio Academic Publishing
series Nordlit: Tidsskrift i litteratur og kultur
issn 0809-1668
1503-2086
publishDate 2018-12-01
description This article addresses the question whether unreliable narration, as the concept is understood in the tradition following Wayne Booth’s original definition, can occur in non-fictional stories. Contrary to Pekka Tammi’s conclusion in a recent article, this article’s answer is affirmative. It seeks to demonstrate, through a comparative analysis of respectively Mark’s and Matthew’s stories about the Canaanite woman (Mark 7:24–30 and Matthew 15:21–28), how Matthew comes forward as an unreliable narrator, and that his narrative unreliability is a function of what James Phelan has termed underreporting. The textual analysis, which leans on Gregory Currie’s and James Phelan’s theories of unreliable narration, argues that far from being more or less identical stories, as is suggested by various exegetes, Matthew’s pericope is significantly different from that of Mark. It is different both thematically and regarding the portrayal of the figure of Jesus, but also, and not least, by pursuing a more complex and daring communicative strategy based on unreliable narration and a system of multilayered irony. In concluding the theoretical discussion of unreliable narration, I suggest not only that unreliable narration is possible in non-fictional stories, but also that it is a somewhat misleading concept when applied to the kind of stories Wayne Booth normally referred to, namely fictional first-person narratives. 
topic Upålitelig narrasjon
Booth
den kanaaneiske kvinnen
Markus
Matteus
ironi
url https://septentrio.uit.no/index.php/nordlit/article/view/4466
work_keys_str_mv AT rolfgaasland evangeliskironi
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