Singing complaintes criminelles across Europe

The complainte, a song about crime and punishment, is not simply a French phenomenon, but has been found all over Europe since the early modern period. This article compares the French complaintes of 1870-1940 with their counterparts in English, Italian, German and Dutch to reveal European similarit...

Full description

Bibliographic Details
Main Author: Una McIlvenna
Format: Article
Language:English
Published: Criminocorpus 2021-03-01
Series:Criminocorpus
Subjects:
Online Access:http://journals.openedition.org/criminocorpus/8608
id doaj-d8601652f46a4d109576a297a1a96c18
record_format Article
spelling doaj-d8601652f46a4d109576a297a1a96c182021-04-08T16:57:07ZengCriminocorpusCriminocorpus2108-69072021-03-01Singing complaintes criminelles across EuropeUna McIlvennaThe complainte, a song about crime and punishment, is not simply a French phenomenon, but has been found all over Europe since the early modern period. This article compares the French complaintes of 1870-1940 with their counterparts in English, Italian, German and Dutch to reveal European similarities as well as regional differences. Beginning with a brief discussion of the term ‘complaint’ and its usage in the early modern era, we move into the nineteenth century. Everywhere we find that murder remains the most common subject, but that the numbers of victims are usually much higher in German songs. We find that there are variations in the use of melodies, and that the Italian songs do not use the tradition of contrafactum. The biggest difference is in the printing technologies: the size of the sheets or booklets varies a lot from region to region, and the use of images has seen great changes since the early modern era.http://journals.openedition.org/criminocorpus/8608execution balladcrimeEnglishGermanDutchItalian
collection DOAJ
language English
format Article
sources DOAJ
author Una McIlvenna
spellingShingle Una McIlvenna
Singing complaintes criminelles across Europe
Criminocorpus
execution ballad
crime
English
German
Dutch
Italian
author_facet Una McIlvenna
author_sort Una McIlvenna
title Singing complaintes criminelles across Europe
title_short Singing complaintes criminelles across Europe
title_full Singing complaintes criminelles across Europe
title_fullStr Singing complaintes criminelles across Europe
title_full_unstemmed Singing complaintes criminelles across Europe
title_sort singing complaintes criminelles across europe
publisher Criminocorpus
series Criminocorpus
issn 2108-6907
publishDate 2021-03-01
description The complainte, a song about crime and punishment, is not simply a French phenomenon, but has been found all over Europe since the early modern period. This article compares the French complaintes of 1870-1940 with their counterparts in English, Italian, German and Dutch to reveal European similarities as well as regional differences. Beginning with a brief discussion of the term ‘complaint’ and its usage in the early modern era, we move into the nineteenth century. Everywhere we find that murder remains the most common subject, but that the numbers of victims are usually much higher in German songs. We find that there are variations in the use of melodies, and that the Italian songs do not use the tradition of contrafactum. The biggest difference is in the printing technologies: the size of the sheets or booklets varies a lot from region to region, and the use of images has seen great changes since the early modern era.
topic execution ballad
crime
English
German
Dutch
Italian
url http://journals.openedition.org/criminocorpus/8608
work_keys_str_mv AT unamcilvenna singingcomplaintescriminellesacrosseurope
_version_ 1721534111981502464