Un concettualista romantico
A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artistic practices are all consequences of the establishment of the new conceptualist paradigm in art since the 60s. Nespolo’s artistic production in that period exemplifies this features being thus conceiv...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2015-04-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/2283 |
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Article |
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doaj-d85d4caebb4c4a2da9ef96eff7ee40452020-11-25T01:51:42ZengRosenberg & SellierRivista di Estetica0035-62122421-58642015-04-019710710.4000/estetica.2283Un concettualista romanticoDavide Dal SassoA reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artistic practices are all consequences of the establishment of the new conceptualist paradigm in art since the 60s. Nespolo’s artistic production in that period exemplifies this features being thus conceivable as a variant of conceptualism since he adopts its new experimental rules mixing them with the traditional ones of the visual artistic paradigm.http://journals.openedition.org/estetica/2283 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Davide Dal Sasso |
| spellingShingle |
Davide Dal Sasso Un concettualista romantico Rivista di Estetica |
| author_facet |
Davide Dal Sasso |
| author_sort |
Davide Dal Sasso |
| title |
Un concettualista romantico |
| title_short |
Un concettualista romantico |
| title_full |
Un concettualista romantico |
| title_fullStr |
Un concettualista romantico |
| title_full_unstemmed |
Un concettualista romantico |
| title_sort |
un concettualista romantico |
| publisher |
Rosenberg & Sellier |
| series |
Rivista di Estetica |
| issn |
0035-6212 2421-5864 |
| publishDate |
2015-04-01 |
| description |
A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artistic practices are all consequences of the establishment of the new conceptualist paradigm in art since the 60s. Nespolo’s artistic production in that period exemplifies this features being thus conceivable as a variant of conceptualism since he adopts its new experimental rules mixing them with the traditional ones of the visual artistic paradigm. |
| url |
http://journals.openedition.org/estetica/2283 |
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AT davidedalsasso unconcettualistaromantico |
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