CULTURAL AND CREATIVE INDUSTRIES

The creative economy has appeared as a new trend in the current economic reality, where information, knowledge and original creations as products of individual or work are represented as driving forces in the economic development. The main advantage brought up by the creative economy is its inexhaus...

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Main Author: Diana Cristina Sava
Format: Article
Language:deu
Published: University of Oradea 2016-07-01
Series:Annals of the University of Oradea: Economic Science
Subjects:
Online Access:http://anale.steconomiceuoradea.ro/volume/2016/n1/40.pdf
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spelling doaj-d7794d406f2c4a23a6e25a890e68ad1e2020-11-24T21:41:40ZdeuUniversity of OradeaAnnals of the University of Oradea: Economic Science1222-569X1582-54502016-07-01251402409CULTURAL AND CREATIVE INDUSTRIESDiana Cristina Sava0University of Oradea, Faculty of Economic Sciences, The creative economy has appeared as a new trend in the current economic reality, where information, knowledge and original creations as products of individual or work are represented as driving forces in the economic development. The main advantage brought up by the creative economy is its inexhaustible raw materials, the human capital with his creative mind. Nowadays, a company’s tangible assets or power of influence are no longer its most valuable possessions; there is something more valuable, more precisely, the intellectual capital, its human resources operating by their own will and leaving the company at the end of each working day. Any organisation, but mostly those conducting artistic or knowledge based activities must prove the ability to attract, retain and motivate valuable employees in order to exploit their arsenal and their ideas to be transformed into goods or services. Considering all the advantages of the new economic sector, a limit of the creative economy is the subjective way of assessing the created products and services’ value, the degree of satisfaction experienced by consuming such products being influenced largely by psychological factors. Creative economy presents itself as a novelty in the scientific economic field with its own terminology; thus referring to this economic sector it is required to address what is particular for it, such as: knowledge, creativity, creative industries, cultural industries, creative class, etc. This paper is a theoretical approach and it aims to present some of the specific concepts of the creative economy, more exactly the cultural industries and the creative industries. Also in order to achieve a better understanding and distinction I will present several classifications known in the literature of internationally recognised organisations such as UNESCO, UNCTAD, World Intellectual Property Organization, and others as well. Besides reviewing these approaches, the paper will show the author's own vision on the mentioned concepts.http://anale.steconomiceuoradea.ro/volume/2016/n1/40.pdfcreative economy, creative industries, cultural industries, classification
collection DOAJ
language deu
format Article
sources DOAJ
author Diana Cristina Sava
spellingShingle Diana Cristina Sava
CULTURAL AND CREATIVE INDUSTRIES
Annals of the University of Oradea: Economic Science
creative economy, creative industries, cultural industries, classification
author_facet Diana Cristina Sava
author_sort Diana Cristina Sava
title CULTURAL AND CREATIVE INDUSTRIES
title_short CULTURAL AND CREATIVE INDUSTRIES
title_full CULTURAL AND CREATIVE INDUSTRIES
title_fullStr CULTURAL AND CREATIVE INDUSTRIES
title_full_unstemmed CULTURAL AND CREATIVE INDUSTRIES
title_sort cultural and creative industries
publisher University of Oradea
series Annals of the University of Oradea: Economic Science
issn 1222-569X
1582-5450
publishDate 2016-07-01
description The creative economy has appeared as a new trend in the current economic reality, where information, knowledge and original creations as products of individual or work are represented as driving forces in the economic development. The main advantage brought up by the creative economy is its inexhaustible raw materials, the human capital with his creative mind. Nowadays, a company’s tangible assets or power of influence are no longer its most valuable possessions; there is something more valuable, more precisely, the intellectual capital, its human resources operating by their own will and leaving the company at the end of each working day. Any organisation, but mostly those conducting artistic or knowledge based activities must prove the ability to attract, retain and motivate valuable employees in order to exploit their arsenal and their ideas to be transformed into goods or services. Considering all the advantages of the new economic sector, a limit of the creative economy is the subjective way of assessing the created products and services’ value, the degree of satisfaction experienced by consuming such products being influenced largely by psychological factors. Creative economy presents itself as a novelty in the scientific economic field with its own terminology; thus referring to this economic sector it is required to address what is particular for it, such as: knowledge, creativity, creative industries, cultural industries, creative class, etc. This paper is a theoretical approach and it aims to present some of the specific concepts of the creative economy, more exactly the cultural industries and the creative industries. Also in order to achieve a better understanding and distinction I will present several classifications known in the literature of internationally recognised organisations such as UNESCO, UNCTAD, World Intellectual Property Organization, and others as well. Besides reviewing these approaches, the paper will show the author's own vision on the mentioned concepts.
topic creative economy, creative industries, cultural industries, classification
url http://anale.steconomiceuoradea.ro/volume/2016/n1/40.pdf
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