The Act of Impersonation in the Cinema and the Theatre
The purpose of this research is to identify and summarize the creative stages, components and sequence of impersonation in the cinema and the theatre. The research methodology is to apply the theoretical and analytical approach, in particular, while analyzing works and guidelines of theorists and pr...
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KNUKiM Publishing Centre
2020-12-01
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Series: | Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво |
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Online Access: | http://audiovisual-art.knukim.edu.ua/article/view/217638 |
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doaj-d6f69bb0101b489c9a1aafd1c33d0cee2020-12-25T21:40:52ZengKNUKiM Publishing CentreВісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво2617-26742617-40492020-12-013218218910.31866/2617-2674.3.2.2020.217638217638The Act of Impersonation in the Cinema and the TheatreMykhailo Barnych0Halyna Rozhko1Kyiv National University of Culture and ArtsKyiv National University of Culture and ArtsThe purpose of this research is to identify and summarize the creative stages, components and sequence of impersonation in the cinema and the theatre. The research methodology is to apply the theoretical and analytical approach, in particular, while analyzing works and guidelines of theorists and practitioners of acting. The scientific novelty is an analysis of the sequence of the actor’s activities on the role in the cinema and the theatre. The main creative stages of the actor’s activities on the role are clarified. Based on the analysis of techniques and methods of impersonation, the relationship of the structural components that form the actor’s image in the cinema and the theatre is determined. Conclusions. The constituent elements of the act impersonation and its constituent elements are analyzed in the article. The acting creative process is divided into two main stages: preparation for the role-playing and the role-playing itself. The creative stage of preparation for the role-playing includes analysis and formation of the personality and characteristics of the particularities of the character, action analysis and play in the imagination. The second creative stage is the roleplaying in public, which means the creation by the actor of an act of experience based on external and internal role image, previously created independently and with the director. Structural components that form an actor’s personality are elaborated in detail. Gradual plan for impersonation has been developed and defined. The factors that influence successful role-playing are summarized.http://audiovisual-art.knukim.edu.ua/article/view/217638an actorrole in cinema and theatercreative processexperienceimaginationpsychotechnics |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Mykhailo Barnych Halyna Rozhko |
spellingShingle |
Mykhailo Barnych Halyna Rozhko The Act of Impersonation in the Cinema and the Theatre Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво an actor role in cinema and theater creative process experience imagination psychotechnics |
author_facet |
Mykhailo Barnych Halyna Rozhko |
author_sort |
Mykhailo Barnych |
title |
The Act of Impersonation in the Cinema and the Theatre |
title_short |
The Act of Impersonation in the Cinema and the Theatre |
title_full |
The Act of Impersonation in the Cinema and the Theatre |
title_fullStr |
The Act of Impersonation in the Cinema and the Theatre |
title_full_unstemmed |
The Act of Impersonation in the Cinema and the Theatre |
title_sort |
act of impersonation in the cinema and the theatre |
publisher |
KNUKiM Publishing Centre |
series |
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво |
issn |
2617-2674 2617-4049 |
publishDate |
2020-12-01 |
description |
The purpose of this research is to identify and summarize the creative stages, components and sequence of impersonation in the cinema and the theatre. The research methodology is to apply the theoretical and analytical approach, in particular, while analyzing works and guidelines of theorists and practitioners of acting. The scientific novelty is an analysis of the sequence of the actor’s activities on the role in the cinema and the theatre. The main creative stages of the actor’s activities on the role are clarified. Based on the analysis of techniques and methods of impersonation, the relationship of the structural components that form the actor’s image in the cinema and the theatre is determined. Conclusions. The constituent elements of the act impersonation and its constituent elements are analyzed in the article. The acting creative process is divided into two main stages: preparation for the role-playing and the role-playing itself. The creative stage of preparation for the role-playing includes analysis and formation of the personality and characteristics of the particularities of the character, action analysis and play in the imagination. The second creative stage is the roleplaying in public, which means the creation by the actor of an act of experience based on external and internal role image, previously created independently and with the director. Structural components that form an actor’s personality are elaborated in detail. Gradual plan for impersonation has been developed and defined. The factors that influence successful role-playing are summarized. |
topic |
an actor role in cinema and theater creative process experience imagination psychotechnics |
url |
http://audiovisual-art.knukim.edu.ua/article/view/217638 |
work_keys_str_mv |
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