Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musica

The role of gesture in music has been widely investigated in different disciplines, from experimental psychology to aesthetics, from musicology to anthropology. What seems to drive the different researches is the question about the relationship arising between gestures and sound, and how this relati...

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Main Author: Nicola Di Stefano
Format: Article
Language:deu
Published: Università degli Studi di Milano 2019-01-01
Series:Lebenswelt: Aesthetics and Philosophy of Experience
Online Access:https://riviste.unimi.it/index.php/Lebenswelt/article/view/11108
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spelling doaj-d658c54d23bd43d8963d8e383fb68c2a2020-11-25T00:30:25ZdeuUniversità degli Studi di MilanoLebenswelt: Aesthetics and Philosophy of Experience2240-95992019-01-0101310.13130/2240-9599/111089457Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musicaNicola Di StefanoThe role of gesture in music has been widely investigated in different disciplines, from experimental psychology to aesthetics, from musicology to anthropology. What seems to drive the different researches is the question about the relationship arising between gestures and sound, and how this relationship affects the experience of music. In this article, I focus on the role of the hand in the production, listening and expression of music. After briefly referring to the influence of body development on language, I consider some typical responses to listening to music that involve the hand, suggesting that musical experience relies on the ability of the listener-performer to transform sound perceptions into motor units. In the conclusion, I delve deeper into the topic in a phenomenological direction, proposing that gestures can be configured as a bodily continuation of the musical material rather than mere motor reactions or conventional responses to sound perception.https://riviste.unimi.it/index.php/Lebenswelt/article/view/11108
collection DOAJ
language deu
format Article
sources DOAJ
author Nicola Di Stefano
spellingShingle Nicola Di Stefano
Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musica
Lebenswelt: Aesthetics and Philosophy of Experience
author_facet Nicola Di Stefano
author_sort Nicola Di Stefano
title Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musica
title_short Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musica
title_full Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musica
title_fullStr Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musica
title_full_unstemmed Gesto, suono e corpo. Sul ruolo della mano nell’espressione della musica
title_sort gesto, suono e corpo. sul ruolo della mano nell’espressione della musica
publisher Università degli Studi di Milano
series Lebenswelt: Aesthetics and Philosophy of Experience
issn 2240-9599
publishDate 2019-01-01
description The role of gesture in music has been widely investigated in different disciplines, from experimental psychology to aesthetics, from musicology to anthropology. What seems to drive the different researches is the question about the relationship arising between gestures and sound, and how this relationship affects the experience of music. In this article, I focus on the role of the hand in the production, listening and expression of music. After briefly referring to the influence of body development on language, I consider some typical responses to listening to music that involve the hand, suggesting that musical experience relies on the ability of the listener-performer to transform sound perceptions into motor units. In the conclusion, I delve deeper into the topic in a phenomenological direction, proposing that gestures can be configured as a bodily continuation of the musical material rather than mere motor reactions or conventional responses to sound perception.
url https://riviste.unimi.it/index.php/Lebenswelt/article/view/11108
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