Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg –...
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Firenze University Press
2012-05-01
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Online Access: | http://www.fupress.net/index.php/aisthesis/article/view/11013 |
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doaj-d5f00570139b4e9fbc35dc332f632cbb2020-11-25T00:17:05ZengFirenze University PressAisthesis2035-84662012-05-013210.13128/Aisthesis-110139952Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e neroManuela PallottoWarburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg – actuality looks at itself, is enlightened in Benjamin by a redemption spark that is denied to Warburg. The set of photographic fragments to which, like a modern “Trauerspiel”, the “Mnemosyne Atlas” reduces the world does’t admit indeed any transcendence.http://www.fupress.net/index.php/aisthesis/article/view/11013WarburgTrauerspielMnemosyneBenjamin. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Manuela Pallotto |
spellingShingle |
Manuela Pallotto Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero Aisthesis Warburg Trauerspiel Mnemosyne Benjamin. |
author_facet |
Manuela Pallotto |
author_sort |
Manuela Pallotto |
title |
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero |
title_short |
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero |
title_full |
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero |
title_fullStr |
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero |
title_full_unstemmed |
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero |
title_sort |
mnemosyne. un trauerspiel moderno da amburgo. in bianco e nero |
publisher |
Firenze University Press |
series |
Aisthesis |
issn |
2035-8466 |
publishDate |
2012-05-01 |
description |
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg – actuality looks at itself, is enlightened in Benjamin by a redemption spark that is denied to Warburg. The set of photographic fragments to which, like a modern “Trauerspiel”, the “Mnemosyne Atlas” reduces the world does’t admit indeed any transcendence. |
topic |
Warburg Trauerspiel Mnemosyne Benjamin. |
url |
http://www.fupress.net/index.php/aisthesis/article/view/11013 |
work_keys_str_mv |
AT manuelapallotto mnemosyneuntrauerspielmodernodaamburgoinbiancoenero |
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1725381168178659328 |