Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero

Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg –...

Full description

Bibliographic Details
Main Author: Manuela Pallotto
Format: Article
Language:English
Published: Firenze University Press 2012-05-01
Series:Aisthesis
Subjects:
Online Access:http://www.fupress.net/index.php/aisthesis/article/view/11013
id doaj-d5f00570139b4e9fbc35dc332f632cbb
record_format Article
spelling doaj-d5f00570139b4e9fbc35dc332f632cbb2020-11-25T00:17:05ZengFirenze University PressAisthesis2035-84662012-05-013210.13128/Aisthesis-110139952Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e neroManuela PallottoWarburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg – actuality looks at itself, is enlightened in Benjamin by a redemption spark that is denied to Warburg. The set of photographic fragments to which, like a modern “Trauerspiel”, the “Mnemosyne Atlas” reduces the world does’t admit indeed any transcendence.http://www.fupress.net/index.php/aisthesis/article/view/11013WarburgTrauerspielMnemosyneBenjamin.
collection DOAJ
language English
format Article
sources DOAJ
author Manuela Pallotto
spellingShingle Manuela Pallotto
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Aisthesis
Warburg
Trauerspiel
Mnemosyne
Benjamin.
author_facet Manuela Pallotto
author_sort Manuela Pallotto
title Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
title_short Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
title_full Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
title_fullStr Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
title_full_unstemmed Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
title_sort mnemosyne. un trauerspiel moderno da amburgo. in bianco e nero
publisher Firenze University Press
series Aisthesis
issn 2035-8466
publishDate 2012-05-01
description Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg – actuality looks at itself, is enlightened in Benjamin by a redemption spark that is denied to Warburg. The set of photographic fragments to which, like a modern “Trauerspiel”, the “Mnemosyne Atlas” reduces the world does’t admit indeed any transcendence.
topic Warburg
Trauerspiel
Mnemosyne
Benjamin.
url http://www.fupress.net/index.php/aisthesis/article/view/11013
work_keys_str_mv AT manuelapallotto mnemosyneuntrauerspielmodernodaamburgoinbiancoenero
_version_ 1725381168178659328