A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and Spaciousness

This essay addresses the question of the relationship between Aesthetics and Tantra, in the world-view and life-world of Hindu Tantric visionary Abhinavagupta (ca. 975–1025 C.E.) and his tradition. I respond to a classic work on Abhinavagupta’s understanding of aesthetic experience and religious exp...

Full description

Bibliographic Details
Main Author: Kerry Martin Skora
Format: Article
Language:English
Published: MDPI AG 2018-03-01
Series:Religions
Subjects:
Online Access:http://www.mdpi.com/2077-1444/9/3/81
id doaj-d500eb561ac74a41aa4ccb48a7e209ec
record_format Article
spelling doaj-d500eb561ac74a41aa4ccb48a7e209ec2020-11-24T20:57:55ZengMDPI AGReligions2077-14442018-03-01938110.3390/rel9030081rel9030081A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and SpaciousnessKerry Martin Skora0Department of Religious Studies, Hiram College, Hiram, OH 44234, USAThis essay addresses the question of the relationship between Aesthetics and Tantra, in the world-view and life-world of Hindu Tantric visionary Abhinavagupta (ca. 975–1025 C.E.) and his tradition. I respond to a classic work on Abhinavagupta’s understanding of aesthetic experience and religious experience by shifting the focus from ultimate experience to the life of a liberated being. I argue that Abhinavagupta’s blending of Aesthetics and Tantra naturally follows from his view of liberation, which re-integrates the body and senses into the religious life, and affirms the reality of the material world in which the liberated being is embedded. I recover the very humanness and boundedness of Abhinavagupta as an additional way of understanding liberation. I draw on hymns of praise, descriptions of ritual, thoughts on hermeneutics of Being, and complex metaphors, from Abhinavagupta’s tradition, and engage with various thinkers, including Performance Theorist Richard Schechner and neurologist James Austin, to flesh out complex metaphors depicting the relationship between consciousness and the world. I conclude by reflecting on similarities between the Trika model of Self, as interpreted by Abhinavagupta’s student Kṣemarāja, and lucid dreaming.http://www.mdpi.com/2077-1444/9/3/81AbhinavaguptaKṣemarājaTantraaestheticsbodysensesconsciousnesssynaesthesialucid dreaminglucidityspaciousnessspiritualityliberation-in-lifeauthenticityauthentic self
collection DOAJ
language English
format Article
sources DOAJ
author Kerry Martin Skora
spellingShingle Kerry Martin Skora
A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and Spaciousness
Religions
Abhinavagupta
Kṣemarāja
Tantra
aesthetics
body
senses
consciousness
synaesthesia
lucid dreaming
lucidity
spaciousness
spirituality
liberation-in-life
authenticity
authentic self
author_facet Kerry Martin Skora
author_sort Kerry Martin Skora
title A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and Spaciousness
title_short A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and Spaciousness
title_full A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and Spaciousness
title_fullStr A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and Spaciousness
title_full_unstemmed A Day in the Life of an Aesthetic Tāntrika: From Synaesthetic Garden to Lucid Dreaming and Spaciousness
title_sort day in the life of an aesthetic tāntrika: from synaesthetic garden to lucid dreaming and spaciousness
publisher MDPI AG
series Religions
issn 2077-1444
publishDate 2018-03-01
description This essay addresses the question of the relationship between Aesthetics and Tantra, in the world-view and life-world of Hindu Tantric visionary Abhinavagupta (ca. 975–1025 C.E.) and his tradition. I respond to a classic work on Abhinavagupta’s understanding of aesthetic experience and religious experience by shifting the focus from ultimate experience to the life of a liberated being. I argue that Abhinavagupta’s blending of Aesthetics and Tantra naturally follows from his view of liberation, which re-integrates the body and senses into the religious life, and affirms the reality of the material world in which the liberated being is embedded. I recover the very humanness and boundedness of Abhinavagupta as an additional way of understanding liberation. I draw on hymns of praise, descriptions of ritual, thoughts on hermeneutics of Being, and complex metaphors, from Abhinavagupta’s tradition, and engage with various thinkers, including Performance Theorist Richard Schechner and neurologist James Austin, to flesh out complex metaphors depicting the relationship between consciousness and the world. I conclude by reflecting on similarities between the Trika model of Self, as interpreted by Abhinavagupta’s student Kṣemarāja, and lucid dreaming.
topic Abhinavagupta
Kṣemarāja
Tantra
aesthetics
body
senses
consciousness
synaesthesia
lucid dreaming
lucidity
spaciousness
spirituality
liberation-in-life
authenticity
authentic self
url http://www.mdpi.com/2077-1444/9/3/81
work_keys_str_mv AT kerrymartinskora adayinthelifeofanaesthetictantrikafromsynaestheticgardentoluciddreamingandspaciousness
AT kerrymartinskora dayinthelifeofanaesthetictantrikafromsynaestheticgardentoluciddreamingandspaciousness
_version_ 1716787200937426944