The Body Onstage: orality and ethnoscenology
The analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, l...
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Universidade Federal do Rio Grande do Sul
2012-05-01
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doaj-d4c2a58eb9e448be912b80c7ecb36f312020-11-24T20:41:32ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602012-05-0121148162The Body Onstage: orality and ethnoscenology Alexandra Gouvea DumasThe analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, like Ethnoscenology, other perspectives have been developed considering, in fact, the particularities and differences between the scenic event and other systems of human expression. Therefore, this paper proposes to analyze scenic aspects regarding the body and its sensory and communication relationships, highlighting them as a different structural format, such as writing and orality.http://seer.ufrgs.br/presenca/article/view/25693/18217EthnoscenologyOralityWritingSpectacleMemory |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Alexandra Gouvea Dumas |
spellingShingle |
Alexandra Gouvea Dumas The Body Onstage: orality and ethnoscenology Revista Brasileira de Estudos da Presença Ethnoscenology Orality Writing Spectacle Memory |
author_facet |
Alexandra Gouvea Dumas |
author_sort |
Alexandra Gouvea Dumas |
title |
The Body Onstage: orality and ethnoscenology |
title_short |
The Body Onstage: orality and ethnoscenology |
title_full |
The Body Onstage: orality and ethnoscenology |
title_fullStr |
The Body Onstage: orality and ethnoscenology |
title_full_unstemmed |
The Body Onstage: orality and ethnoscenology |
title_sort |
body onstage: orality and ethnoscenology |
publisher |
Universidade Federal do Rio Grande do Sul |
series |
Revista Brasileira de Estudos da Presença |
issn |
2237-2660 |
publishDate |
2012-05-01 |
description |
The analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, like Ethnoscenology, other perspectives have been developed considering, in fact, the particularities and differences between the scenic event and other systems of human expression. Therefore, this paper proposes to analyze scenic aspects regarding the body and its sensory and communication relationships, highlighting them as a different structural format, such as writing and orality. |
topic |
Ethnoscenology Orality Writing Spectacle Memory |
url |
http://seer.ufrgs.br/presenca/article/view/25693/18217 |
work_keys_str_mv |
AT alexandragouveadumas thebodyonstageoralityandethnoscenology AT alexandragouveadumas bodyonstageoralityandethnoscenology |
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1716824804423630848 |