The Body Onstage: orality and ethnoscenology

The analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, l...

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Main Author: Alexandra Gouvea Dumas
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2012-05-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:http://seer.ufrgs.br/presenca/article/view/25693/18217
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spelling doaj-d4c2a58eb9e448be912b80c7ecb36f312020-11-24T20:41:32ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602012-05-0121148162The Body Onstage: orality and ethnoscenology Alexandra Gouvea DumasThe analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, like Ethnoscenology, other perspectives have been developed considering, in fact, the particularities and differences between the scenic event and other systems of human expression. Therefore, this paper proposes to analyze scenic aspects regarding the body and its sensory and communication relationships, highlighting them as a different structural format, such as writing and orality.http://seer.ufrgs.br/presenca/article/view/25693/18217EthnoscenologyOralityWritingSpectacleMemory
collection DOAJ
language English
format Article
sources DOAJ
author Alexandra Gouvea Dumas
spellingShingle Alexandra Gouvea Dumas
The Body Onstage: orality and ethnoscenology
Revista Brasileira de Estudos da Presença
Ethnoscenology
Orality
Writing
Spectacle
Memory
author_facet Alexandra Gouvea Dumas
author_sort Alexandra Gouvea Dumas
title The Body Onstage: orality and ethnoscenology
title_short The Body Onstage: orality and ethnoscenology
title_full The Body Onstage: orality and ethnoscenology
title_fullStr The Body Onstage: orality and ethnoscenology
title_full_unstemmed The Body Onstage: orality and ethnoscenology
title_sort body onstage: orality and ethnoscenology
publisher Universidade Federal do Rio Grande do Sul
series Revista Brasileira de Estudos da Presença
issn 2237-2660
publishDate 2012-05-01
description The analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, like Ethnoscenology, other perspectives have been developed considering, in fact, the particularities and differences between the scenic event and other systems of human expression. Therefore, this paper proposes to analyze scenic aspects regarding the body and its sensory and communication relationships, highlighting them as a different structural format, such as writing and orality.
topic Ethnoscenology
Orality
Writing
Spectacle
Memory
url http://seer.ufrgs.br/presenca/article/view/25693/18217
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