From practice to theory: manifestos and artistic expression
<p>In this essay, we shall study the aesthetic manifesto as an element frequently used by the Latin American plastic and literary artists during the 1920s and 1940s, and which later influenced the theoretical proposals of the filmmakers who shaped the New Latin American Cinema. We will analyze...
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Associação de Investigadores da Imagem em Movimento
2016-02-01
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| Series: | Aniki: Revista Portuguesa da Imagem em Movimento |
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| Online Access: | http://aim.org.pt/ojs/index.php/revista/article/view/187 |
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doaj-d43f770a80f544c5ad7a7034175d717a2020-11-24T20:59:42ZengAssociação de Investigadores da Imagem em MovimentoAniki: Revista Portuguesa da Imagem em Movimento2183-17502016-02-0131213510.14591/aniki.v3n1.18787From practice to theory: manifestos and artistic expressionSilvana Flores0Universidad de Buenos Aires, Facultad de Filosofía y Letras, Centro de Investigación y Nuevos Estudios sobre cine, C.P.1002, Buenos Aires<p>In this essay, we shall study the aesthetic manifesto as an element frequently used by the Latin American plastic and literary artists during the 1920s and 1940s, and which later influenced the theoretical proposals of the filmmakers who shaped the New Latin American Cinema. We will analyze the uses and practices of this type of texts and their historical development, as well as their political implications over time. We will understand manifestos as a bridge between the different historical periods that marked the development of the arts in Latin America, in literature, in painting, and in cinema.</p>http://aim.org.pt/ojs/index.php/revista/article/view/187manifestopinturaliteraturacinemaAmérica Latina |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Silvana Flores |
| spellingShingle |
Silvana Flores From practice to theory: manifestos and artistic expression Aniki: Revista Portuguesa da Imagem em Movimento manifesto pintura literatura cinema América Latina |
| author_facet |
Silvana Flores |
| author_sort |
Silvana Flores |
| title |
From practice to theory: manifestos and artistic expression |
| title_short |
From practice to theory: manifestos and artistic expression |
| title_full |
From practice to theory: manifestos and artistic expression |
| title_fullStr |
From practice to theory: manifestos and artistic expression |
| title_full_unstemmed |
From practice to theory: manifestos and artistic expression |
| title_sort |
from practice to theory: manifestos and artistic expression |
| publisher |
Associação de Investigadores da Imagem em Movimento |
| series |
Aniki: Revista Portuguesa da Imagem em Movimento |
| issn |
2183-1750 |
| publishDate |
2016-02-01 |
| description |
<p>In this essay, we shall study the aesthetic manifesto as an element frequently used by the Latin American plastic and literary artists during the 1920s and 1940s, and which later influenced the theoretical proposals of the filmmakers who shaped the New Latin American Cinema. We will analyze the uses and practices of this type of texts and their historical development, as well as their political implications over time. We will understand manifestos as a bridge between the different historical periods that marked the development of the arts in Latin America, in literature, in painting, and in cinema.</p> |
| topic |
manifesto pintura literatura cinema América Latina |
| url |
http://aim.org.pt/ojs/index.php/revista/article/view/187 |
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AT silvanaflores frompracticetotheorymanifestosandartisticexpression |
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