Polydimensional Structure and Psychosocial Functions of the Direct Address in TV Series

Traditionally, in media studies research, the direct address or aside, i.e., a construction in which a speaker communicates a message directly to the audience breaking the continuity of the narrative flow, has been investigated mainly for its dramaturgical function. The present study aims to conside...

Full description

Bibliographic Details
Main Authors: Carlo Galimberti, Antonio Bova, Carmen Spanò, Ilaria Vergine
Format: Article
Language:English
Published: Frontiers Media S.A. 2021-07-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2021.662215/full
id doaj-d3b47bf15a2340a1bb1cd60b566ebb2d
record_format Article
spelling doaj-d3b47bf15a2340a1bb1cd60b566ebb2d2021-07-06T04:48:20ZengFrontiers Media S.A.Frontiers in Psychology1664-10782021-07-011210.3389/fpsyg.2021.662215662215Polydimensional Structure and Psychosocial Functions of the Direct Address in TV SeriesCarlo GalimbertiAntonio BovaCarmen SpanòIlaria VergineTraditionally, in media studies research, the direct address or aside, i.e., a construction in which a speaker communicates a message directly to the audience breaking the continuity of the narrative flow, has been investigated mainly for its dramaturgical function. The present study aims to consider the direct address as a research object of the social psychology of communication to increase our understanding of this technique by going beyond the analysis of its dramaturgical function. In particular, the direct address will be examined through an integrated approach based on argumentative and conversational tools to highlight its less known polydimensional structure, i.e., diegetic and extra-diegetic dimensions and their interactions, and psychosocial functions, i.e., connecting the characters among each other within the show as well as with the audience. This objective will be achieved by analyzing two different direct addresses from the American TV series House of Cards. The analysis showed that the direct address performs its dramaturgical function by impacting both diegetic and extradiegetic levels. In the first case, as considered in previous studies, these plans are activated in parallel, aiming to build what we have defined as the “strategic subjectivity” of the character who employs this technique. Instead, in the second case—which comprises two direct addresses produced by two different characters—this technique involves the creation of what we will call “platforms of intersubjectivity.” In this occurrence, the dramaturgical action establishes a “bridge” between the diegetic and extradiegetic plans that act synergistically. In conclusion, the present study shows how an integrated approach based on argumentative and conversational tools of analysis permits to enlarge the traditional media studies perspective, highlighting the less investigated polydimensional structure and analyzing the psychosocial functions of the direct address, here considered as a research object of the social psychology of communication examined in its diegetic and extra-diegetic dimensions. The integration of the pragma-dialectical approach to argumentation with the interlocutory logic theory has brought to light a new modality of use of the direct address that can be termed “intersubjective aside,” a type of aside that can be added to the three already known, i.e., aside ad spectatores, monological aside, and dialogical aside.https://www.frontiersin.org/articles/10.3389/fpsyg.2021.662215/fullargumentationcommunicative interactionsconversationdirect addressmedia studiessubjectivity
collection DOAJ
language English
format Article
sources DOAJ
author Carlo Galimberti
Antonio Bova
Carmen Spanò
Ilaria Vergine
spellingShingle Carlo Galimberti
Antonio Bova
Carmen Spanò
Ilaria Vergine
Polydimensional Structure and Psychosocial Functions of the Direct Address in TV Series
Frontiers in Psychology
argumentation
communicative interactions
conversation
direct address
media studies
subjectivity
author_facet Carlo Galimberti
Antonio Bova
Carmen Spanò
Ilaria Vergine
author_sort Carlo Galimberti
title Polydimensional Structure and Psychosocial Functions of the Direct Address in TV Series
title_short Polydimensional Structure and Psychosocial Functions of the Direct Address in TV Series
title_full Polydimensional Structure and Psychosocial Functions of the Direct Address in TV Series
title_fullStr Polydimensional Structure and Psychosocial Functions of the Direct Address in TV Series
title_full_unstemmed Polydimensional Structure and Psychosocial Functions of the Direct Address in TV Series
title_sort polydimensional structure and psychosocial functions of the direct address in tv series
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2021-07-01
description Traditionally, in media studies research, the direct address or aside, i.e., a construction in which a speaker communicates a message directly to the audience breaking the continuity of the narrative flow, has been investigated mainly for its dramaturgical function. The present study aims to consider the direct address as a research object of the social psychology of communication to increase our understanding of this technique by going beyond the analysis of its dramaturgical function. In particular, the direct address will be examined through an integrated approach based on argumentative and conversational tools to highlight its less known polydimensional structure, i.e., diegetic and extra-diegetic dimensions and their interactions, and psychosocial functions, i.e., connecting the characters among each other within the show as well as with the audience. This objective will be achieved by analyzing two different direct addresses from the American TV series House of Cards. The analysis showed that the direct address performs its dramaturgical function by impacting both diegetic and extradiegetic levels. In the first case, as considered in previous studies, these plans are activated in parallel, aiming to build what we have defined as the “strategic subjectivity” of the character who employs this technique. Instead, in the second case—which comprises two direct addresses produced by two different characters—this technique involves the creation of what we will call “platforms of intersubjectivity.” In this occurrence, the dramaturgical action establishes a “bridge” between the diegetic and extradiegetic plans that act synergistically. In conclusion, the present study shows how an integrated approach based on argumentative and conversational tools of analysis permits to enlarge the traditional media studies perspective, highlighting the less investigated polydimensional structure and analyzing the psychosocial functions of the direct address, here considered as a research object of the social psychology of communication examined in its diegetic and extra-diegetic dimensions. The integration of the pragma-dialectical approach to argumentation with the interlocutory logic theory has brought to light a new modality of use of the direct address that can be termed “intersubjective aside,” a type of aside that can be added to the three already known, i.e., aside ad spectatores, monological aside, and dialogical aside.
topic argumentation
communicative interactions
conversation
direct address
media studies
subjectivity
url https://www.frontiersin.org/articles/10.3389/fpsyg.2021.662215/full
work_keys_str_mv AT carlogalimberti polydimensionalstructureandpsychosocialfunctionsofthedirectaddressintvseries
AT antoniobova polydimensionalstructureandpsychosocialfunctionsofthedirectaddressintvseries
AT carmenspano polydimensionalstructureandpsychosocialfunctionsofthedirectaddressintvseries
AT ilariavergine polydimensionalstructureandpsychosocialfunctionsofthedirectaddressintvseries
_version_ 1721318126817116160