Die Anerkennung von weiblicher Arbeit als kreativer Arbeit
Vorwort zur Ausgabe 6: Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s. (Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)
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Natascha Drubek
2018-08-01
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| Series: | Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe |
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| Online Access: | http://www.apparatusjournal.net/index.php/apparatus/article/view/124 |
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doaj-d37d74a15e2a4017bd1cc0bc355e42092020-11-25T02:15:06ZcesNatascha DrubekApparatus. Film, Media and Digital Cultures of Central and Eastern Europe2365-77582018-08-010610.17892/app.2018.0006.12480Die Anerkennung von weiblicher Arbeit als kreativer ArbeitKaren Pearlman0Adelheid Heftberger1Macquarie UniversityGerman Federal Archive / Film CollectionVorwort zur Ausgabe 6: Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s. (Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)http://www.apparatusjournal.net/index.php/apparatus/article/view/124ėsfir’ shubelizaveta svilovadziga vertovrose smithd.w. griffithfilm editingsoviet montageearly filmfemale editorsnew cinema historyfilm historyfeminist film studiesfilm production processescreative practiceécriture féminine |
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DOAJ |
| language |
ces |
| format |
Article |
| sources |
DOAJ |
| author |
Karen Pearlman Adelheid Heftberger |
| spellingShingle |
Karen Pearlman Adelheid Heftberger Die Anerkennung von weiblicher Arbeit als kreativer Arbeit Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe ėsfir’ shub elizaveta svilova dziga vertov rose smith d.w. griffith film editing soviet montage early film female editors new cinema history film history feminist film studies film production processes creative practice écriture féminine |
| author_facet |
Karen Pearlman Adelheid Heftberger |
| author_sort |
Karen Pearlman |
| title |
Die Anerkennung von weiblicher Arbeit als kreativer Arbeit |
| title_short |
Die Anerkennung von weiblicher Arbeit als kreativer Arbeit |
| title_full |
Die Anerkennung von weiblicher Arbeit als kreativer Arbeit |
| title_fullStr |
Die Anerkennung von weiblicher Arbeit als kreativer Arbeit |
| title_full_unstemmed |
Die Anerkennung von weiblicher Arbeit als kreativer Arbeit |
| title_sort |
die anerkennung von weiblicher arbeit als kreativer arbeit |
| publisher |
Natascha Drubek |
| series |
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe |
| issn |
2365-7758 |
| publishDate |
2018-08-01 |
| description |
Vorwort zur Ausgabe 6: Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s.
(Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company) |
| topic |
ėsfir’ shub elizaveta svilova dziga vertov rose smith d.w. griffith film editing soviet montage early film female editors new cinema history film history feminist film studies film production processes creative practice écriture féminine |
| url |
http://www.apparatusjournal.net/index.php/apparatus/article/view/124 |
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AT karenpearlman dieanerkennungvonweiblicherarbeitalskreativerarbeit AT adelheidheftberger dieanerkennungvonweiblicherarbeitalskreativerarbeit |
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