Canto degli spiriti sopra le acque

The article examines the different versions of Schubert's Choral Lied on a text by Goethe Gesang der Geister über den Wassern, focusing mainly on the final version for male octet and string ensemble. The investigation starts with a semantic-morphological analysis of the verbal text and then con...

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Bibliographic Details
Main Author: Alberto Rizzuti
Format: Article
Language:deu
Published: University of Bologna 2020-12-01
Series:Musica Docta
Subjects:
Online Access:https://musicadocta.unibo.it/article/view/11938
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spelling doaj-d3540f91ab2d49208f7a6d3feb340beb2020-12-22T10:39:57ZdeuUniversity of BolognaMusica Docta2039-97152020-12-011017919410.6092/issn.2039-9715/1193810243Canto degli spiriti sopra le acqueAlberto RizzutiThe article examines the different versions of Schubert's Choral Lied on a text by Goethe Gesang der Geister über den Wassern, focusing mainly on the final version for male octet and string ensemble. The investigation starts with a semantic-morphological analysis of the verbal text and then concentrates on the solutions Schubert experimented with in an attempt to produce a setting as close as possible to the spirit of Goethe’s text.https://musicadocta.unibo.it/article/view/11938goetheschubertliedchoircomparative analysis
collection DOAJ
language deu
format Article
sources DOAJ
author Alberto Rizzuti
spellingShingle Alberto Rizzuti
Canto degli spiriti sopra le acque
Musica Docta
goethe
schubert
lied
choir
comparative analysis
author_facet Alberto Rizzuti
author_sort Alberto Rizzuti
title Canto degli spiriti sopra le acque
title_short Canto degli spiriti sopra le acque
title_full Canto degli spiriti sopra le acque
title_fullStr Canto degli spiriti sopra le acque
title_full_unstemmed Canto degli spiriti sopra le acque
title_sort canto degli spiriti sopra le acque
publisher University of Bologna
series Musica Docta
issn 2039-9715
publishDate 2020-12-01
description The article examines the different versions of Schubert's Choral Lied on a text by Goethe Gesang der Geister über den Wassern, focusing mainly on the final version for male octet and string ensemble. The investigation starts with a semantic-morphological analysis of the verbal text and then concentrates on the solutions Schubert experimented with in an attempt to produce a setting as close as possible to the spirit of Goethe’s text.
topic goethe
schubert
lied
choir
comparative analysis
url https://musicadocta.unibo.it/article/view/11938
work_keys_str_mv AT albertorizzuti cantodeglispiritisopraleacque
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