Julius Eastman: The Sonority of Blackness Otherwise
This paper analyzes the life and work of Julius Eastman (1940–1990), namely his 1980 Northwestern Concert Series and Grammy-nominated Eight Songs for A Mad King (1973) alongside anti-black state violence in the United States as sites of black sonority made legible through and against, what Christin...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2020-07-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/6772 |