The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”

In the context of the media, in which industrial means of communication (cinema, TV, telephony, informatics) converge and integrate various visual languages and stimulate the interconnection of different communicational models, audiovisual technical factors that seem marginal are actually capable of...

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Main Author: Federico O. Oppedisano
Format: Article
Language:English
Published: MDPI AG 2017-11-01
Series:Proceedings
Subjects:
Online Access:https://www.mdpi.com/2504-3900/1/9/914
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spelling doaj-d2caa1200af14f9dbe38f2ecb6eb245d2020-11-25T02:43:19ZengMDPI AGProceedings2504-39002017-11-011991410.3390/proceedings1090914proceedings1090914The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”Federico O. Oppedisano0School of Architecture and Design, University of Camerino, 62032 Camerino, ItalyIn the context of the media, in which industrial means of communication (cinema, TV, telephony, informatics) converge and integrate various visual languages and stimulate the interconnection of different communicational models, audiovisual technical factors that seem marginal are actually capable of conditioning the perception and sense of the image. In particular, those that characterize it as artificial are combined to heighten the quality of the image, just as those that denote it as authentic and real contain the imperfections of an “amateur” image. In this framework, the article aims to investigate how these technical formats, in various communicational devices, perceptual qualities, paradigms, and forms of visual design, are transformed to guide the perception of fiction and reality.https://www.mdpi.com/2504-3900/1/9/914developing and communicating ideastheory of imagesstatute of imagesimages and collective imaginationaudiovisual designmass communication
collection DOAJ
language English
format Article
sources DOAJ
author Federico O. Oppedisano
spellingShingle Federico O. Oppedisano
The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”
Proceedings
developing and communicating ideas
theory of images
statute of images
images and collective imagination
audiovisual design
mass communication
author_facet Federico O. Oppedisano
author_sort Federico O. Oppedisano
title The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”
title_short The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”
title_full The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”
title_fullStr The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”
title_full_unstemmed The Statutes of Audiovisual Images: The Perception of Truth between “Fiction” and “Reality”
title_sort statutes of audiovisual images: the perception of truth between “fiction” and “reality”
publisher MDPI AG
series Proceedings
issn 2504-3900
publishDate 2017-11-01
description In the context of the media, in which industrial means of communication (cinema, TV, telephony, informatics) converge and integrate various visual languages and stimulate the interconnection of different communicational models, audiovisual technical factors that seem marginal are actually capable of conditioning the perception and sense of the image. In particular, those that characterize it as artificial are combined to heighten the quality of the image, just as those that denote it as authentic and real contain the imperfections of an “amateur” image. In this framework, the article aims to investigate how these technical formats, in various communicational devices, perceptual qualities, paradigms, and forms of visual design, are transformed to guide the perception of fiction and reality.
topic developing and communicating ideas
theory of images
statute of images
images and collective imagination
audiovisual design
mass communication
url https://www.mdpi.com/2504-3900/1/9/914
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