Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema
The paper departs from the assumption that while the analysis of the systematic effect that popular cinema (genres like melodrama, horror or action movies) has on its spectators has been largely discussed by film theorists, little has been written on the affective dimensions of arthouse cinema. The...
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| Format: | Article |
| Language: | English |
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Sciendo
2020-10-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.2478/ausfm-2020-0003 |